We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
RESTOCKED Second vinyl release "The Capital" by rising drone-star Sean McCann. These all new recordings prove - once again - his ability to keep his stretched out & richely textured ambient drones right on track. The A side opens with synth spirals and exstatic sounds, there's no going back now. B Side is full of violin explorations and lo-fi fieldrecordings. This is an amazing effort by one of Earth's most promising musicians.Sean McCann really sets the bar for how far a one-man project …
East New York Ensemble de Music came out of the diverse community of Bed-Stuy, Brooklyn, where African, West Indian & black American cultures converged. First and foremost a deep Spiritual Jazz record, At The Helm also incorporates elements of the West Indies, and both the Near and Far East. Originally issued in a very small pressing by Folkway Records in 1974, at a time when the label was doing some great underground recordings! The sound is loose and free – spiritually building in a man…
Work of this quality tends to be the product of a self-contained and selfconcsious tradition, even if a hermetic one. And in this case I fancy I can hear the flowering of a Northern/Midlands sensibilty that setms orignally from the A Band, Youngs and Wickham-Smith, and Ashtray Navigations. It is informed by ecstatic jazz but its roots are in pragmatic sonic experimentalism of a determindedly autochthonous kind. You can almost smell the witch trials in this, and I urge you all to catch a h…
Blending glorious monotonous Krautrock with melodic tones and heavy slabs of Sabbath riffage, whilst finding time to declare sonic warfare on those tinnitus victims who have passed the point of no return.
a great album pulled out of the stream of time (1983-1985). They have never been on record or on air (nevertheless, some have been released on international cassette-compilations in the '80s). Back then they called it "primal industrial-punk".
In the Djebala foothills of the Rif Mountains in northern Morocco is the ancient village of Jajouka. For hundreds of years music has poured out of that village, music by the world’s only “4000 year old rock band” (William Burroughs), the Master Musicians of Jajouka. For hundreds of years the Master Musicians were the musical group of choice for the princes of Morocco, but they were not heard outside their native soil.Fast forward to 1950, Morocco, free of French and Spanish colonialism, is alive…
First instalment in this new o series providing a long overdue and much needed vinyl-only glimpse into Jim O'rourke's electronic/synth music archive* 'Old News No.5' introduces a "nearly regular series of vinyl albums documenting analog synth and tape works (both studio and live) from the depths of Jim O'Rourke's archive, spanning a near quarter of a century in the field." Side A 'Pedal & Pedal' features 15 minutes recorded at Super Deluxe, Tokyo, 2010. It unfurls a series of tender pasto…
LP version. In the early '60s, fresh from his clean behind the ears years at Harvard, Henry was undergoing rapid ideological shifts: cavorting with Maciunas and the whole Fluxus bit, doing performances at Yoko Ono's loft and recording with La Monte Young; having it out with his Stalinist cohorts over the relative merits of a good blues run and searching for a new musical language outside of the various generic artistic restrictions before him at the time. What he arrived at was an expressive pra…
restocked, 2010 repress. Exact repro, originally released in 1973 on the Strata-East affiliated Black Fire label. This is the first LP from this classic Afro free jazz group. Very much in the spirit of the Art Ensemble of Chicago, but with more spiritual/soul jazz stylings tempering the pure free jazz fire music vibe. The group would shortly hereafter change their name to Oneness of Juju.
Dustin Wong, like many of us, dove into the world of music and art as an unhappy youth looking to rebel against certain ideals and "absolute truths" that contrasted his own beliefs. A twisting path of punk discovery and a growing respect for sonic visionaries like Jimi Hendrix, Brian Wilson, John Fahey, and Brian Eno led Dustin to further pursue his muse. He eventually wound up at the Maryland Institute College of Art, where he met and co-founded the critically acclaimed band Ponytail. …
Latest transmission from The Andy Votel / Demdike Stare curated Pre-Cert Home Entertainment imprint - 700 copies only* Anworth Kirk casts a spellbinding sixth Pre-Cert edition with this mystic invocation of eldritch ritual music. Divining inspiration from myriad and disparate fake-loric sources - the Temperance movement, Egyptology, drug abuse, Early Freemasonry, Carnatic music, Oramics in Ardwick, Kommune Pop and Letterist actions, to name a few - our protagonist projects dank and discom…
Long awaited vinyl pressing of this amazing album from one half of The Skaters, and all-round Hypnagogic Pop hero James Ferraro - 450 copies for the world!* James Ferraro has fast become one of those artists whose records we can't wait to devour in the office. 'Last American Hero' is by far one of his most acutely affective dreams, originally released (like most of his stuff) on tape via the Belgian label Dreamtime Taped Sounds in late 2008, but reaching us on a super limited run of 450 vi…
On his third outing, Jozef Van Wissem, with his ten-course Renaissance lute (aka retrograde lute), employs not only his notion of using palindromes and backwards reading of music for the instrument, but also brings electronics and field recordings into the discussion. Van Wissem applies mirror images in compositions for solo lute. He inserts a microphone into the body of his lute, records the sounds inside (known as "wolftones"), and then electronically alters them by sampling, cutting, and past…
Their first label release in many years & represents their most polished work to date. One of the most enigmatic, mysterious, & defiantly anti-commercial groups to emerge from the NYC loft scene during the '90s. Incorporating elements of folk, drone, psychedelia, free jazz, noise, & just about everything else, NNCK has nevertheless carved out a distinctive sound despite the seemingly random component elements.
Reissue of the original 1970 album on the BYG label (one of the label's few entries in the rock field), and a classic period piece, like Gong at their heaviest. Ame Son is the pioneer group of French Underground born at the end of the 60s. The band is made up to two former members of Banana Moon, Daevid Allen's band on his arrival in France in 1967. Their music was harsh and scathing with vocals in both French & English, sometime with an outside layer of 'formal beauty', rapidly devastated by st…
The Type label reissues German music producer Thomas Köner's debut album, the first in a set of three, on vinyl for the very first time. Originally introduced to the world in 1990, Nunatak (then named Nunatak Gongamur) was shockingly ahead of its time, and it is hard to believe that it has been out of print and difficult to obtain for so long. Köner created the album with mood in mind; he has since been described as a "media" artist, and it's easy to see why. While the music can be descri…
Originally released on cassette by Snatch Tapes back in 1980 or there about but now re-issued on red vinyl by Harbinger. Had heard a couple of the tracks before on previous Storm Bugs comps but nice to have the whole original tape as it was meant to be sequenced. Also good set of liner notes detailing all the recording process. If you haven’t heard any Bugs before this makes a great introduction.Slightly more eloquently this what the Mutant Sounds said about A Safe Substitute ‘…this is eve…
Brud is a three volume compilation of recordings from 1995 to 2011 by Andre Vida, morphing seamlessly between a sense of total irreverence and the sublime. His spontaneous compositions and notated works are the angled mirrored counterparts of a transient saxophone driven performance language, drawing on elements of 1970s performance art, new music, improvisation cult, folk and pop hybrids, channeling them into asymmetrical tunes of feral beauty. BRUD traces the development of Vida's wayw…