We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
on yellow vinyl! All string synths and spring reverb, this is an analog dream. Nothing less than some of the finest classically-orchestrated synthetic pop of the thirty odd years people have been attempting it.
On a hot Minneapolis night in the summer of 2001, the legendary avant/jazz group Curlew played a scorching gig at the now-defunct Gus Lucky's Gallery. Gussie documents that evening: the veteran improvising group dispensed with their compositions altogether and took an eminently successful walk along the free-improv tightrope. The ever-evolving lineup featured George Cartwright (saxophones), Davey Williams (guitar), Chris Parker (piano), Fred Chalenor (bass), and Bruce Golden (percussion). A limi…
started in the early 80's in Berlin with two electronical industrial - avant-garde associated cassette releases. A first LP on the outstanding Madrid based label Discos Esplendor Geometrico followed up by cd's and vinyl on SFCR (F) and Pinch-A-Loaf (Usa), Povertech (Usa) as well as releases with likes as MSBR, Mnortham, Frans de Waard, Ios Smolders, Artificial Memory Trace, Thomasius, TBC, The Oval Language and others, as well as a pile of compilations. Guido Hübner wrote a piece for the Zeitkr…
Lovely and obscure album of Bertoia/Rutman-lineage metal sound-sculptures from which G. T. Smits coaxes a bizarre array of squawks & resonant thumps...."for a while i thought i was completely lost in the maze that is the recorded archive of George "TOET" Smits, a few years back i got boxes full of cassettes that i have been sitting thru for a few years, a bunch unlabeled, and a lot of recordings from his ZBOLK NIGHT RADIO. George Toet Smits started out playing mouth organ and guitar in Ferre…
Awesome artist record, this is the 2nd edition with hand stamped cover, nice gatefold + insert "in 1971 dietrich albrecht changed his real name officially to albrecht/d.a/d. was born in 1944,lives in stuttgart/germany since 1958and acts like an artist since 1966.he worked and performed with beuys, throbbing gristle, vostell, paik, saree and many more.he invented permanent instant performance.he saved raoul hausmann from being forgotten.his work includes:mail art: endless music: processed copies:…
The first full-length of this heavily active live unit from Providence, RI. There is no solid footing in shallow waters. Only a suffocating hail of falling rock, strangling vines, and sinkholes. It is with rare exception that voice spits the last of breaths, the dying breaths, with such spite. Like a rabbit trapped in the hole of the snake's throat, this duo comprised of members of Immaculate:Grotesque and Em Dath Rir batter and tear their way through six tracks of power electronics eco-fallout …
the new record is a full lp (+/-40min) from marcia bassett's solo project zaïmph. marcia is well known for her leading role in freefolk/improv groupssuch as double leopards and ghq, as well as for her groundbreakingwork with free guitar/flesh metal duo hototogisu. with her soloproject zaïmph she starts off from the base these groups laid outand takes things to another level, shredding boundaries betweendark noise, drone and psych music. it's deeply meditative yet darklydisturbing and emotionally…
With a treasure trove of analogue, swirling effects, arch songcraft and a sweet yet assured vocal delivery, Trowel & Era brings to the table the epic debut long player by the one man band Apothecary Hymns (AKA Alex Stimmel). Stimmel has made a collection with one foot in kaleidoscopic coastal loner psych that floats on a musical bed of whimsical levity and another foot rooted firmly in the grand ethos of east village troubadours of the mid 60s." Alex Stimmel: acoustic & electric guitars 6 & 12 …
We're not complaining. Seems like a week can't go by without some new Not Not Fun opus dribbling out from the west coast label, aimed at bleeding our brains of logical thought processes and launching us into galaxies where laws are read backwards and progress is measured in long, untethering tracks of psychedelia muttered through interstellar Ham radios. This week it comes by way of slow-boiled loops and synth warbling that build towards wordless rantings best quantified as the dark prayers mean…
Arizona's Graves at Sea churn out two crushing tracks of thick and murky doom bubbling through a thin layer of blackened crust. Think Grief, 13, or Burning Witch and you're halfway there. 20 minutes of nauseating downtuned sludge brought to you by four sun baked freaks from the desert. Asunder return with a new 20 minute track of gargantuan sludge. Funeral doom from the ghetto.
Improvising drone-rockers Bad Statistics hail from Wellington, New Zealand, hurling Nordic doom, kraut rock and feral skronk into an industrial blender, and delivering a noisy, prolonged earful of lethargic experimental nonsense. Vocalist and saxophonist Thebis Mutante sounds like Mark E. Smith with stomach ache on 'If I Were A Pint Of Milk', groaning and whinging his way through a moribund death rattle of a song, seeing out a twenty-one minute duration that feels approximately four times as lon…
Clear azul vinyl, artwork by Joana Da Conceicao. For sure one of the weirdest and most unique records on Qbico, thanks to this young couple from Porto; hard to explain, no easy listening... but once you get attuned, it grows on you... deeply. Some vague similarities with the Astral Social Club LP.
Take the manic snorts of captain liberty, dissonant as chalk & the next moment as melodic as sharp yet slick, metal teeth. Take the mermaid, 1988, turn the tides, gently, gently away. Selected breath/silences/selected feedback. Take an argument you have here w/ an empty street while the memory of high traffic is leaking back. Sirenum has a real "spiritual food" vibe & it's fucking pain & pleasure relief in this real met en zonder sort of way.
VINYL FORMAT. Reissued! Rising from the silence, shaking the muck of level-Z rock and roll detritus from their feet, Royal Trux returned to action in October of 1992 with an untitled album, their third. It had been two years since they'd vanished into the negative zone with Twin Infinitives, an ultimate left-turn that appeared to have no endgame. For Untitled, Royal Trux strung together eight pieces of varying vintage that clearly communicated their rock and roll desires with the most direct app…
‘Life Coach’ is the debut solo album from Phil Manley (of Trans Am, Oneida, The F*cking Champs, Jonas Reinhardt). This instrumental album will certainly appeal to fans of the aforementioned bands as well as those into the classic works of Kraftwerk, Neu!, and Harmonia as well as modern Kosmische / ambient music from the likes of Arp, Mountains, The Alps and Type Records. The CD version comes in a four panel mini-LP style gatefold package. (Boomkat)
In few years of work Fabio Orsi has achieved critique and fans, imposing his name as one of the most important and representative of the whole international experimental and electronic independent scene. Backwards proudly presents his new work titled Von Zeit Zu Zeit. This composition was recorded live in Berlin (2010) and after edited and mastered by Fabio Orsi in late 2011. Orsi plays synth, guitar and filters and, for once, he just puts aside the warmth of the melodies and the sampli…
"exactly 40 years after their debut, faust have come up with another archetypical album: inspiring, innovative, unpredictable, crossing boundaries, anarchic - faustian! with "something dirty" jean-hervé peron, zappi w. diermaier (both founding members), james johnston (gallon drunk, nick cave & the bad seeds), and geraldine swayne (...bender) created a definitive milestone in the longfamous musical institution from hamburg." (label info)
I met Richard in 2004 on a crazy tour in Australia (Oren Ambarchi's last What is Music?). He was a founding member of The Sun City Girls but he came out to play solo. Instantly we were entranced by his playing, so many beautiful elements of why I love guitar come through in his music and presence, without floating around in genre space at all. Here on the road with Kevin Drumm, Dead C, Residents, Gang Gang Dance, Black Dice, etc amongst this insane lineup Richard ended up supporting Pan S…
Unless Sun Ra's most out there moments, one of many behavioral components from Chaos 1978-86, were beamed alongside televised presidential messages for years, or the ravenous fire from Jimi Hendrix's burning guitar had a heated soundtrack of its own on the Billboard charts, it's hard to imagine anyone being ready for this crazy shit in the early 80s. The appropriately named Wicked Witch, a richly decadent and spooky avant-garde affair of off-kilter rhythm and blues-based x-spunk, was the masterm…
Germany's answer to Daphne Oram or Raymond Scott - or more likely an elaborate wind-up perpetrated by Jan Jelinek, on whose Faitiche label her "archive" recordings sporadically appear - Ursula Bogner is back. Whether or not it's Jelinek behind the Bogner corpus (and I think by now we know the answer to that), there's no disputing the consistently brittle beauty, dizzying complexity and easy charm of her radiophonic constructions. You certainly get a lot of Bogner for your buck on Sonne = …