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Fantastic Party
"Probably one of the weirdest discoveries in the field of collectable German albums in recent years, Staff Carpenborg's sole output was first brought to the spotlight by the compilers of the celebrated Kraut! Demons! Kraut! CD series in the mid-'90s. Since then, rumors and interest about the album have risen exponentially since this weird record (and we mean WEIRD) is one of the earliest known examples of Kraut rock. How such a demented collection of tunes found their way on the budget Ma…
Walks
Much needed re-issue of this fantastic and unfortunately overlooked 1985 tape on "Stichting Stopcontact". Lex Grauwen and Paul Oosterbaan had worked together for about 8 years before they formed Tranquil Eyes in 1982. They decided to turn their back to stage performances and started experimenting with home-taping. Using an array of electronics, Tranquil Eyes recorded a great amount of songs and made a fine selection on Walks. Their first and only release. The wonderful produced tracks sou…
Fifty-Six
Dark red vinyl. After releasing two unique LPs back in the '60s for the legendary ESP label with his Ritual All 770 and another one for Riverboat, finally Alan Sondheim is back! This is his 1st LP after nearly 35 years and here he plays guitar, alpine zither, electronics, field recordings... as usual he presents us an eclectic mix of fascinating sounds.
Aqua Machine
Clear violet vinyl, photo by Padmanabha. Live improvisations rec. in Buffalo, Rochester & Syracuse on April 8/9/10, 2005. SB - baritone & tenor sax, slide bass clarinet, bells, conch shell, voicemaster, noseflute, home-made 8-hole clarinet; RP - drums, percussions, gopichand, tabla. Oblique and totally improvised free music.
Plaster Projection Instruction Record
EXCLUSIVE! Guitar+tape manipulations create a hypnotic noise pastiche akin to the background buzz in the switching station of your local phone company. 1-sided. Limited 500.
Conrad & Sohn
Gorgeous one-off private-press released in 1981 by one-time Tangerine Dream / Kluster associate Conrad Schnitzler, which was given only to friends and family. Tracks 6-11 are pretty odd, even for Schnitzler, with its pitched up vocals & arbitrary lo-fi synth drippings; but the real prize are tracks 1-5 featuring his teenage son Gregor on electric bass and completely fried vocals (in English no less) as run through Conrad's massive modular synth rig.Limited to 500 pieces. Unplayed archival copy
Untitled (3rd Album)
VINYL FORMAT. Reissued! Rising from the silence, shaking the muck of level-Z rock and roll detritus from their feet, Royal Trux returned to action in October of 1992 with an untitled album, their third. It had been two years since they'd vanished into the negative zone with Twin Infinitives, an ultimate left-turn that appeared to have no endgame. For Untitled, Royal Trux strung together eight pieces of varying vintage that clearly communicated their rock and roll desires with the most direct app…
Running on autokinetic
classic Ashtray Navigations, two hallucino-kinetic tracks each side
Duets
The rare original LP released as a hand printed/numbered edition of 1000, designed by Amy Webb."Braxton concentrated heavily on duo performance during this period, and this was one of the happiest of his associations. ...warmly recommended. *** "...these duets are not only stimulating and somewhat challenging, but also surprisingly lyrical and even elegant. The two musicians extract maximum variety from the duo format." --Option Magazine
Gilbert Artman's Lard Free
Lard Free is French psychedelic minimalism band, formed around drummer and keyboards player Gilbert Artman. He was the only constant member of the band on their few next albums. Music on their debut album is perfectly composed angular rhythm structures-based synth/rhythm compositions with free-jazz sax improvs over them. All this mix sounds heavy, spacey, psychedelic, minimalistic - and excellent. I am not sure if this music could be labelled as "krautrock" , or let say - it's a French krautroc…
Coyote
“Packaged in custom letterpress & offset full-color materials. Originally released on CD by Hydra Head in Spring 2010, TAIGA records now presents the deluxe vinyl version of Kayo Dot’s melodramatic masterpiece “Coyote.” The album was mastered for vinyl by Mell Dettmer, cut direct to metal and pressed on 200g virgin vinyl with full-color labels featuring artwork by Toby Driver. The LP features alternate artwork from the CD version and is packaged in custom letterpress materials as an edition of 7…
Beach Head
Originally issued in a limited pressing in 2008, BEACH HEAD is a release of sunburnt affection for a place that has since submerged: a coastal constellation of friends and energies that still slosh and burn through dimensions just above our perceptual apparatus. These are the coordinates, should you want to go: THOUGHTS ARE BELLS opens in séance before easing back into full Florian blossom. HORSE STEPPIN’ is a love song to Neil Young’s six-string gateway: sunblushed and indulgent, persistently b…
Pacific Fog Dreams
Way out in the North West American wilderness, Evan Caminiti (Barn Owl) and Lisa McGee regroup for another exceptional, ethereal session as Higuma. 'Pacific Fog Dreams' is also their 2nd release for Root Strata, following their earliest collaborative release in '08 with 'Haze Valley', and 2010s 'Den Of The Spirits' LP for Digitalis, one of the finest of its ilk in recent years. Their sound is incredibly precious and achieves the rarest of tangible sensations with glooming, ghostly drones and bil…
~Treibgut
The inimitable Raster Noton label picks up it's Unun series with five tracks of utterly sick digital spasms and oblique hi-end processing from Grischa Lichtenberger following on from the devastating NHK 12" last year. Via various methods and processes Lichtenberger manipulates field recordings and musique concrete sampled from the world around him such as a sliding tabletop, the noise of a radiator or the humming of a broken device before transforming them into sound-giving instruments. The resu…
Gussie
On a hot Minneapolis night in the summer of 2001, the legendary avant/jazz group Curlew played a scorching gig at the now-defunct Gus Lucky's Gallery. Gussie documents that evening: the veteran improvising group dispensed with their compositions altogether and took an eminently successful walk along the free-improv tightrope. The ever-evolving lineup featured George Cartwright (saxophones), Davey Williams (guitar), Chris Parker (piano), Fred Chalenor (bass), and Bruce Golden (percussion). A limi…
Incus tap
long deleted, very few availabe...Many if not most of Derek Bailey's fans (I was going to write "hardcore fans," but aren't we all?) will be surprised at the existence of these extremely early solo recordings, originally issued by Incus back in 1973. Even for a label as unorthodox as Incus, the TAPS represented a unique but very short-lived experiment in "marketing"; basically, Derek decided that it would be interesting, cheaper, and "less formal" to issue some of his favorite recent solo improv…
CINo51
"Previously, a boy dreams the dreams of many other boys. He meets three other boys and they dream together. Sadly, one of his co-dreamer's dreams become nightmare. In an effort to avoid seeing their own dreams relegated back to sleeping, our hero and his fair dreaming compatriots leave their troubled friend to face his nightmares on his own. His nightcap is quickly filled and the boys march forward, eventually seeing all of their dreams made manifest. In this installment our boy has beco…
Turkey Decoy
Chubby Wolf was the title used by the late Dani Baquet-Long of Celer for her most glacially refined recordings. Her work is now carefully and lovingly curated by her husband and partner in Celer, Will Long, who has picked one of her most accessible albums 'Turkey Decoy' for this posthumous release on Digitalis. The phosphorescent cybernetic ambience of opener 'Cantankerous Baby' sets an understated tone which continues through the album, across the glassy pond-like reflections of 'Birthday…
Raiders
Robedoor have acquired a "drummer/modular synth dealer" since last we heard from them, and with this new LP - their first since last year's Endlessly Blazing - they let fly with their newly enhanced line-up, stirring up smudged-out psych nightmares that sound like they're being performed from somewhere deep within a cave system. In fact, if the blind flesh-eating monsters from The Descent had a house band, 'Indo Shadow' might be the outcome. The album's second half is especially good, with the f…
Live at the Hint House
Live at the Hint House might be considered a field rec. in as much as it is a recording of an ambience or soundscape. Made on my first ever trip to mainland America to play music this is the 2nd set of that evening, the 1st set had been an acoustic one of songs and slide guitar. At the start of the 2nd set i quickly realised that my guitar was not working and rather than stop and attempt to find out what was wrong i decided to just continue and improvise with what was at hand on the table …