We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
"The great avant-garde reed player Anthony Braxton (who on this set switches between alto, C-melody sax, clarinet, flute, soprano and sopranino), bassist Adelhard Roidinger and drummer Tony Oxley play five of Braxton's complex originals, Oxley's "The Angular Apron" and the standard "All the Things You Are." As usual Braxton's improvising is quite advanced and original but is colorful and fiery enough to always hold on to open-eared listener's attention. This is one of literally dozens of …
Alfred Otterstaetter began playing music in the late '70s, releasing homemade tapes and records under different band names. Blumen des Exotischen Eises LP was released in '86 in the quantity of 100 copies on his Dead Eye Records. It was recorded between '83 and '85 and consisted of spontaneous music, some of it played by Alfred alone on different instruments with overdubs, and some with friends. Some tracks have early '70s open-air spaced out feel, others -- more heavy hypnotic Teutonic sound. O…
“It seems most important to me not to stop being a connoisseur; I freely confess that I would rather be considered a hedonist than an analyst.” This statement by Luis de Pablo is reflected in his music; not in violent yet superficial currents of sound but in finely differentiated sound as de Pablo’s Las Orillas (1990) demonstrates: “The composition is very linear, particularly in the slower parts. The orchestration has therefore been planned especially thoroughly such that each voice has a meani…
Charles Ives (1874-1954) earned his living by selling insurance policies to his contemporaries. Besides, he took a great interest in literature, philosophy and, first and foremost, music. And what came of it? The most original modernist music one could imagine. Ives's Third Symphony was inspired by his memory of camp meetings, the Christian "evangelistic gatherings" common in his youth. However bizarre these meetings may appear to us, they were a familiar feature of rural America especially duri…
Almost one hour of gong solo. A perfect continuum ! An incredible performance. Gong recorded at casa delle masche, piedmont, italy on april 28, 2011. voice recordings at the same location on several days in summer 2011. performed, recorded and mixed by fritz hauser. mastered by martin pearson at platinum one, zürich, switzerland.
****THE WIRE 2008 TOP 50 RECORDS OF THE YEAR WINNER****"A couple of years ago the promoters Arika invited John Butcher to tour a number of out-of-the-way spaces in Scotland. The venues, selected for their extreme acoustic properties, included a mausoleum, a wartime fuel-storage tank and a cave. This album grows out of Butcher’s evident interest in escaping the acoustic confines of conventional venues (work with resonant spaces is documented on the earlier Geometry of Sentiment and Cavern with Ni…
Teenage Hallucination is a compendium of Wiese's initial recordings as a teenager to his seminal early vinyl appearances. From pure analog bedroom havoc to intense cut-up harsh noise blasts, Wiese steadily developed his highly personal and specific style of extreme music while trying to survive the St. Louis experience. 52 tracks in nearly 80 minutes of the best material from his Catwoman 7", split LP with The Haters, split 5" with Panicsville, collaborative tracks with GX Jupitter-Larsen (T…
Music for a Summer Evening (1974) is the third part of the "cosmic drama" Macrocosmos, which investigates the relations between the innermost human soul and the vastness of the cosmos; relations that also determine the temporal, dynamic and tonal dimensions of the composition. Its immense material extravagance is reflected by a range of some 70 percussion instruments; in addition, the two pianists are required to perform a variety of different techniques, such as pizzicatos, flageolets, etc. A s…
'It gives me great pleasure to announce the first release of the new label 'substance over surface editions' - SoSEDITIONS - an offering of recent live and studio recordings by the improvising trio of Michel Doneda, Jack Wright, and Tatsuya Nakatani. The recording is accompanied by a poem by renowned poet Jerome Rothenberg.
A professor of neurology at the University of Florence and one of Italy's foremost experimental composers, Diego Minciacchi creates fascinating music from raw scientific data and appends cryptic titles to his pieces that give them something of a whimsical, if not philosophical or mystical, context. The Aforesaid, Minciacchi's 2001 release on Col Legno, is a collection of five chamber works from the early '90s, a time when he found his voice and developed a feasible methodology in his works for v…
The pieces for piano/cembalo on this CD include the first two Capriccios by the 24-year-old Ligeti, the Musica ricercata, and the first volume of the legendary Études, in brilliant interpretations by the German pianist Erika Haase. Ligeti was a master in how to make tricky compositional systems appear as more than just that by inspiring them with sensual substance: that's what distinguishes the artist from the artisan. Throughout his life Ligeti kept his ears pricked up and his senses sharpened …
Kurtág's attachment to speech is also to be sensed in the works from this first period of maturity, something which emerged more concretely in this CD maily cenetered around the Russian language, which he learned especially in order to read Dostoevsky, and which is almost "sacred" for him, in the way that Latin was for Stravinsky. In his Russian works, opp 16 to 19, Kurtág's response to Russian prosody transforms his musical dialect with a poignant lyricism; this is to be heard both in the works…
One of the world's most creative harpists, Zeena Parkins has contributed her inimitable playing style to the work of artists like Bjork, John Zorn, Yoko Ono,Sonic Youth and Matmos, whilst also recording a number of wonderful solo albums (including the timeless Nightmare Alley) and a couple of Phantom Orchard collaborations with electronics guru Ikue Mori. What most immediately sets Parkins apart from her peers is a roving appetite to look beyond the ordinary constraints of her instrument. While …
Henry Cowell ha inventato e perfezionato la gran parte delle speciali tecniche per suonare il pianoforte utilizzate negli ultimi 70 anni; nel corso della sua vita (1897-1965) ha composto un impressionante numero di musiche sinfoniche, vocali e da camera ed ha pubblicato il pionieristico libro "New Music Resources". Il suo contributo che più ha influenzato la scena contemporanea è però la sua opera per pianoforte, considerata di fondamentale importanza per la musica del XX secolo. "New Music" pro…
Fela Anikulapo Kuti, inventor of Afrobeat, is one of the greatest musicians ever to have lived. He was an innovator, musically gifted, and more important, he was the people's musician.
Giacinto Scelsi’s relationship with the piano is interesting and contradictory. For no other instrument has the Italian composer and poet composed so many pieces; to no other instrument does he seem so closely attached, both personally and biographically; and no other instrument disappeared so abruptly and finally from his scores as the piano, the European showcase instrument. With the piano, we can follow the break lines and develop-ments in the musical thinking and works of Giacinto Scelsi, wh…
Reissued! Rising from the silence, shaking the muck of level-Z rock and roll detritus from their feet, Royal Trux returned to action in October of 1992 with an untitled album, their third. It had been two years since they'd vanished into the negative zone with Twin Infinitives, an ultimate left-turn that appeared to have no endgame. For Untitled, Royal Trux strung together eight pieces of varying vintage that clearly communicated their rock and roll desires with the most direct approach to playi…
Second one in the guitarimproseries (first one was Shifts). This Finish guy is pretty young but has a distinctive feel towards his guitarplay. Excerpts from his talents could be found on the Killa 7\\"s but here he is operating alone on his selfbuild guitar and other \\"soundlabs\\". It\\'s dark and quiet with lots of floating, hissing and inspired contructions. Every now and then a melody pops up which brings together the harmony between impro and a \\"listenable\\" experience. As for guitarpla…
In the three song cycles of this recording, Wolfgang Rihm stays faithful to the text and its meaning while paying close attention to melodic line. In choosing to do so, Rihm has a deep lineage in the great tradition of Romantic art song that stretches back to the distinguished names of Schönberg, Berg, Brahms and Schumann. Approaching the text both from the perspective of the singer and from that of the accompanying pianist, Rihm is able to reach tremendous heights of expression. While the eleve…