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A brilliant collaboration between these two dark moody French singers -- every bit as great as their classics from the early 70s! Recorded in 1977, with enough material to make up 2 LPs, this set features 33 tracks that slip and slide into each other with cool sounds, spare instrumentation, and amazing vocals that are difficult to describe, but which cut you to the quick once you've heard them! Extremely haunting, with a feel that sounds like the wind blowing through an empty cottage on…
rare UK album from 1981. Musique Concret were an obscur London duo composed by Jim Friedman & Michael Mullen with a short lived musical history : their sole album 'bringing up baby' was originally released on Steven Stapleton's label United Dairies and there is also one short track on compilation. This is a great experimental power electronics works with the use of many delay and echo, tape recorder manipulations, collages, rhythms box, noise, and others studio trickery, naturally close to Nurse…
4 panel CD digipack: it would be too easy to simply call IIRON the COH metal album, as it goes way beyond that. True, this album of classic Pavlov stompers contains more than its fair share of guitars both acoustic and electric, yet it still maintains that sense of power and purpose through electronic music which stands out as the COH ‘raison d’être’. Coming 11 years after IRON, which also tackled the sound of rock with alarming results, the new album features not only recent guitar tracks recor…
Françoise Barrière was born on june 12th, 1944. classical training: piano at the conservatoire de versailles; harmony and counterpoint at the conservatoire national supérieur de musique, paris. less classical training: service de la recherche, ortf; ethnomusicology at the ecole pratique de hautes etudes. in 1970, she founded in collaboration with christian clozier, the groupe de musique expérimentale de bourges (now called the international institute of electroacoustic music of bourges) that the…
Some 150 years apart, both composers developed minute nuclei into an ever expanding cosmos of sound, each against the background of his own era. Prick up your ears – Schubert's Fantasy in F minor and Sonata in B flat major D 617 crossed with Ligeti's Three pieces for two pianos: rich in contrasts, upsetting, and in a simply stunning interpretation by Andreas Grau & Götz Schumacher. In the beginning there was simply the idea of playing Schubert and Ligeti together in one program: "During the perf…
The sovereign and immediate approach Lachenmann takes in his Fünf Variationen über ein Thema von F. Schubert (1956) lends Schubert's slight Deutsche Tanz D 643a special and almost heroic flavor. But only five years later, Lachenmann had already travelled a considerable distance since those days as his Echo Andante of 1961 shows. Like Wiegenmusik (1963), the piece has been shaped by Lachenmann's studies with Luigi Nono whose influence and inspiration are clearly audible. A perfect example of the …
The Kidnapping Europe project was initialized by the artists Christina Clar (Paris, France) and Peter Jap Lim (Berlin, Germany) in 2001. Based on the "Europa Myth" (Zeus kidnapped the phoenician princess Europa and brought her to a continent which now has her name), the project aims to approach the topic of migration and the dreams, hopes and visions of migrants, in particular, from a contemporary perspective. In addition to their own work, which resulted in an installation that made its debut a…
Last winter, when BLOODYMINDED was preparing to go on tour in the U.K., I was put in contact with Lee Stokoe, who was touring at the same time as us, under the name Inseminoid, with George Proctor of Mutant Ape. Not only was Lee beyond accommodating about letting us piggyback on the Inseminoid/Fecalove tour, but he was kind enough to also drive us around the U.K. for several days. I returned to the States with a thick stack of Culver CDs, which took some time to get through. I was most pleased t…
Seal of the Blue Lotus is the 1965 debut from the extraordinary folk guitarist Robbie Basho, who released numerous albums for John Fahey's Takoma label during the '60s. His mystical approach to six- and 12-string guitar improvisation shares many similarities to John Fahey in that Basho, too, was inspired by Eastern modalities -- his six-string melodies recalling the Indian ragas of Ravi Shankar's "Dhun in Musra Mund." "Mountain Man's Farewell" is an outstanding piece that displays the early seed…
Recorded in Roma in March 1981. It was recorded in five days, a day per body section. No tracks were re-recorded or added to after their day. Each was immediately after recording. No tracks were pre-planned, all tracks are invented directly onto the tape.
Following the success of their very first performance together at the 2004 FREEDOM OF THE CITY festival (heard on Emanem 4215), Roger Smith and Louis Moholo-Moholo went into the studio to record some more. Their second meeting went so well that they recorded enough duo improvisations for a complete CD. The resulting music is heard complete, with Smith on Spanish guitar and Moholo on augmented drum set.
Kurtág's attachment to speech is also to be sensed in the works from this first period of maturity, something which emerged more concretely in this CD maily cenetered around the Russian language, which he learned especially in order to read Dostoevsky, and which is almost "sacred" for him, in the way that Latin was for Stravinsky. In his Russian works, opp 16 to 19, Kurtág's response to Russian prosody transforms his musical dialect with a poignant lyricism; this is to be heard both in the works…
Charles Ives (1874-1954) earned his living by selling insurance policies to his contemporaries. Besides, he took a great interest in literature, philosophy and, first and foremost, music. And what came of it? The most original modernist music one could imagine. Ives's Third Symphony was inspired by his memory of camp meetings, the Christian "evangelistic gatherings" common in his youth. However bizarre these meetings may appear to us, they were a familiar feature of rural America especially duri…
Ben Chasny has busied himself releasing a solid run of outsider folk records for some time now; ‘The Sun Awakens’ is his eighth full-length outing and thankfully it shows no signs of Chasny letting his quality control wane. As he explored on his last Drag City release ‘School of the Flower’, Chasny has again employed a handful of collaborators to fill-out his unique sound with percussion and odd instruments – yet this doesn’t distil the fact that the record is totally his own. "The Sun Awakens" …
After helping Fela Anikulapo Kuti with Teacher Don't Teach Me Nonsense, Wally Badarou then produced Beasts of No Nation. Another album that has been combined with this one is the 31-minute "ODOO (Overtake Don Overtake Overtake).
This CD with … the first four string quartets reflects the interesting path of Rihm’s artistic development. The Minguet Quartet approaches the first two, shorter, works with audibly high concentration without relinquishing, in the frenzy of high-energy playing, their own cultivated sound born from quartet tradition. Here, Rihm’s third quartet, with its not unproblematic subtitle ‘Im Innersten’ (‘at the innermost core’), does not become self-indulgent navel-gazing, the display of sounding extremi…
Meerkat is a kind of Italian underground big band. Here we find Adriano Zanni (Punck), Matteo Uggeri (Hue), Luca Sigurtà, Luca Bergero (Fhievel), Davide Valecchi (Aal), Andrea Ferraris (Ics), Fabio Selvafiorita, Paolo Ippoliti (Logoplasm), Laura Lovreglio (Logoplasm) and Andrea Marutti (Amon, Never Known). If you have been paying attention in the last few years, you may recognize these names as Italy's finest in the fields of ambient, electronics, microsound, post guitar - well, anything but tru…
"A unique collaboration between a musician and a painter: Sean O'Hagan/The High Llamas and Jean Pierre Muller. The Musical Painting can be described as a large picture composed of wooden shapes that fit into one another. It produces its own soundtrack but with a distinctive novelty - it is the viewer who, by playing with the moveable parts of the painting, is in fact the conductor of the piece. This unique fusion between vision and sound is the fruit of the collaboration between Sean O'Hagan's '…