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JanuarY 2004. Two years after the highly acclaimed album “Rose-garden", the portables come up with their second full length. “Girls Beware!" starts where their previous album ended. De Portables developed a cult reputation during the years, mainly because of their many intense and always different performances. Against all recent trends, standards and expectations they do their thing; they play because they like playing. The quartet twists themselves during 11 songs a way between pop, post-rock …
In Śānti, Jan Beran unites meditative-expressive means of articulation with avant-garde techniques, and Western attitudes with those of the Far East. This multicultural approach is founded not least on Beran's extraordinary personal and musical background and development, which took the mathematician and composer from his native town Prague to Switzerland, the USA, and as far as India. This explains, among other things, his efforts to reconcile the time patterns of Indian music with Western seri…
"Re-mastered at Piethopraxis in Köln, July 2007. "Hotel Paral.lel", originally released in September 1997 by Mego, was Christian Fennesz's debut solo album. Following up from the EP "Instrument", it was an investigation into the sonic possibilties residing in guitar based digital music, recorded just before mobile computing devices became the norm. A far more darker and experimental work than what was to follow. Freeform noise, sliced techno beats and subtle ambient textures create a time…
Collected here are three radioplays from three Fluxus affiliates, Philip Corner, Alison Knowles, and George Brecht. Each piece is built from a simple element and features a text recited by the author and sometimes others. Corner's piece is an homage to Erik Satie, built from a sparce two chord piano figure and a recitation that teeters along the stereo field. Knowles' piece, which she delivers along with Brecht, Hanna Higgins, and Jessica Higgins, is built from a long list of bean names on top o…
special price offer: Opus 3.1 consists of 20 tracks divided into five acts. Each cut--or scene--represents a different percussion instrument. Some are quiet, others cacophonous, but even the slow, stark resonance of a ringing gong maintains a sharp level of intensity. The sole drawback is inconsistency: After being soothed into a reflective trance state, the listener is occasionally jolted by the strident opening clang of the subsequent cut. Ghost Stories, a 1-track, 68-minute live recordi…
'Written and recorded by Gordon Sharp at Belmont Shore (ca), mid-levels (hk) & kobe (japan) 2001-2009. Mastered at Piethopraxis, july 2009. Dedicated to Matt Kinnison (1965-2008). Cindytalk have been active since 1982, which we won't go into here (a quick Google search will satisfy that need). During The 80s and 90s Their sound was defined by broken down rock structures and abstract piano ambience. A third side to Their coin emerged at The dawn Of The 21st Century with a turn towards obscure com…
This double CD with 44 (!) tracks is a welcome re-release of this essential compilation which was initially released on Tarantulla Productions. A must-have for wave / minimal / electro fans! New artwork.
The late 1960s and early 1970s were years when European jazz in general, and British jazz in particular, came into their own in terms of the music making a fundamental break with established, exclusively American precedents. This two-disc reissue of three Graham Collier albums made by the bassist/bandleader during the period underscores this contention. This is an exemplary reissue in terms of plotting the course of a music coming into its own. Equally importantly, both of these discs pass the r…
Periodikmindtrouble is Ilitch's (a.k.a Thierry Muller) first album, released on Oxygène Rec. in 1978. This reissue present for the first time the complete works of Periodkmindtrouble such as it had been conceived and should be released at that time: as a double LP. So, here it is as a double CD (including a 12 pages color booklet) with the following musical works : the album Periodikmindtrouble in its entirety, plus the complete recordings of Innerfilmsequence, plus the unreleased track …
Editions Mego has finally reissued the woefully out-of-print complete recorded oeuvre of this massively influential and infrequently convening laptop supergroup. Unsurprisingly, it still sounds great. The Magic Sound Of...’ and ‘The Return Of...’, originally released in 1999 and 2002. Fenn O’Berg (Christian Fennesz, Jim O’Rourke and Peter Rehberg) first hit the scene after a surprise appearance at the Nickelsdorf Festival in 1997. Throughout 1998 and 1999 the trio toured extensively throughout A…
More electronic music by Badings: did we partly cover Badings' electronic music on the Popular electronics Boxset (Basta 3091412), here's the best of the rest, to say so. CD1: 'Capriccio' (1959) for violin and two sound tracks. 'Genese' (1958) music for five audio-frequency oscillators. 'Dialogues for man and machine' (1958) text and voice: Ramses Shaffy. 'The woman of Andros', 'Toccata' (1964).
double CD edition'Friedl has developed his 'inside piano' technique to such a level of delicacy and precision, that any anticipated distinctions between instrumental and electroacoustic music, or between improvisation and composition are dissolved or transcended.' - Stephen Robinson, The Wire'This is the first solo release of zeitkratzer's mastermind Reinhold Friedl. He teaches the grand piano how to sing and to sound like an orchestra, calling this new way of playing an old instrument I…
Günter Müller (ipod, electronics) with Disc 1: Alan Courtis (unstringed guitar & tapes), Pablo Reche (sampler, md's, electronics). Disc 2: Sergio Merce (4-track portastudio without tape, WX7), Gabriel Paiuk (piano, tapes). Disc 1 was recorded live February 9th and disc 2 February 10th, 2006 at Fundación Cultural Surdespierto, Buenos Aires by Gabriel Paiuk. Mixed and mastered by Günter Müller at Remisch Lupsingen. Cover art by Günter Müller.
Recorded 1997-1999 in NY, Osaka, Tokyo, Toronto and Malmö. Originally released on Mego in 2001. Of course, Jim O'Rourke needs no introduction being well known as a performer, producer and all round top chap, as well membership of various pop and rock combos for more than two decades. ÔIm Happy, and I'm Singing, and a 1, 2, 3, 4' was called by many common folk Jim's laptop record or his powerbook album. We prefer the simple term computer when referring to the instrument used for the creation of t…
2 CDs filled with 21 tracks. Over 148 minutes of music. Brand new music from PAN AMERICAN. A preview of forthcoming albums from STARS OF THE LID & KEITH FULLERTON WHITMAN. An exclusive mix of an album track by GREG DAVIS. All priced CHEAP at less than the cost of a CD EP! It's been years since there's been a KRANKYsampler (& that one came out in Europe only) so it's time to show what we've been up to for the last few years. Way back when compilations like Pillows & Prayers& Wanna Buy a Bridge? i…
The Dream House is the first album of new material from Windy & Carl in five years. Recorded at their home studio in Dearborn, MI it consists of two tracks. The Dream House is in many ways the duo's simplest and most straight-forward release, concentrated as it is on two evolving pieces. It is also Windy & Carl's most ambitious recording, with the duo deliberating on longer forms. Windy & Carl are capable of sustaining melodic ideas and patiently apply attention to singular musical gestures. Win…
Reissued: Biosphere's 2nd CD for Touch after Cirque (Touch # TO:46, 2000) is a double CDin digipack designed by Jon Wozencroft. CD One - Substrata. Originally released in 1997 on All Saints Records, this remastered version of Substrata contains 11 tracks with a total length of 55:20. '...by many (the undersigned included) considered to be the finest ambient album of the 1990s' (Motion-State 51), and 'Three years after its release, biosphere's 'Substrata' is already being recognised as one of th…
There is little doubt that Helmschrott’s Sonate da chiesa only bear a fleeting resemblance to their namesakes from the 17th and 18th centuries, which, emerging from Northern Italy, quickly rose to great popularity in Baroque Europe. Among the resemblances is their bipartite structure with slow and fast movement and, of course, the use of an organ. Far from expressing formal dependence, the archaic names of the movements lend the twelve pieces a Mediterranean superstructure, as it were. The manif…
'Chry-Ptus' (1971). Originally two tapes which are to be played simultaneously, with or withour synchronisation, which does not affect the structure of the work, but creates changes in the game of sub-harmonics and overtones. Three variations on this piece were performed at the New York Cultural Center in 1971, with variations of amplitude and location modulation as well as synchronisation. Realised on the Buchla Synthesizer at the New York University. The booklet contains a text by painter Paul…
RESTOCKED This is another great piece of musique concrete from Michel Chion. Never published before ! Composed in 1979 at the GMEM studios in Marseille. Comes with a 16 page booklet with texts from Michel Chion and Lionel Marchetti.TheWire beautiful review Michel Chion proposes three different modes of listening : causal, semantic and reduced. The first relates simply to a sound’s source or causal agent. The second involves a desire to extract meaning, or meaningful action. Reduced listening …