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100 copies limited release Sound trails, minimal structures built with pads, discreet electronic elements, slow, deep and enveloping bass lines, backgrounds of confused voices treated in reverse, circular movements alternating with liquid stasis and quiet... Creaks on layered sound substrates of indecipherable nature, which seem to emerge from a thick blanket of fog that reveals fragments of real landscapes here and there, ready to disappear from view again after a few moments, once more hidden …
Singular 1967 Elektra Records gem by Clear Light, LA psychedelic band featuring future Doors bassist Doug Lubahn and CSNY drummer Dallas Taylor. Double-drum setup creates uncanny soundscape, it blends folk, rock, psych, classical. Undiscovered at release, now cult classic.
2026 Stock, last copies. 5LP deluxe box and a 156-page clothbound book packaged in a custom white-birch wood box, limited to 665 hand-numbered copies The book features music manuscripts and notebook pages from the musicians' archives, an extensive itinerary, the complete history of the NYAQ, artists' bios, and musical analysis. 2013 release. Five LPs of entirely uncirculated music by the New York Art Quartet, featuring Roswell Rudd, John Tchicai, and Milford Graves; the bass chair is alternativ…
Whenever the term “Free Jazz” gets mentioned, the same questions more or less present themselves: “Is this easy to listen to?” “Is there structure, or is this just a few friends playing over each other?” “Is this another Coleman/Taylor/Dolphy homage?” Yes; yes; maybe—who cares? Free Jazz is (in my definite opinion) the last bastion of music (and maybe even art as a whole) where true innovation is not only still possible but also extremely well-executed—if done right. Enter “Second Sight” by Oslo…
‘Learning’ - Sophie Agnel’s first solo LP, feels like the dark, physical inversion of her excellent ‘Song’ which came out on Relative Pitch earlier this year. Sinking her unique sound into vinyl for the first time, the LP arrives as Agnel recovers from a brain tumour - a shocking discovery that will require Agnel to start again with the piano. It’s a terrifying prospect, but Agnel has been here before, having reorientated herself almost entirely away from her early classical training over the la…
A Senegalese Griot singer, an Amsterdam improviser and a Puerto Rican jazz drummer find eachother on an open playground, a stage build for improvisation, an old cinema now used for minute made story telling. Equiped with an m'bira, a xalam, a drumkit, a voice, percussion, house hold tools and an electric chlavichord on 220 volt, they sit down and take off: Wrrrrrraaang! Singer and percussionist Mola Sylla is in many ways a musical explorer. Born and raised in Dakar, Senegal, he grew up in the tr…
On Lo squartatore di New York, Francesco De Masi fuses rock‑charged aggression with aching lyricism, setting Lucio Fulci’s urban nightmare to a score where feral action cues collide with the unforgettable tenderness of “New York One More Day” and the bittersweet elegy “Fay.”
Cien Fuegos present a reissue of the Peter Brötzmann Octet's Machine Gun, originally released in 1968. One of the most important albums of European free jazz, finally in the Cien Fuegos series. Recorded May 1968 at "Lila Eule", Bremen. Recorded with a whiff of revolution in the air back in May '68, this landmark Brotzmann LP taps into the spirit of its time with a robust garage rock sensibility, lending a considerable urgency to the session, with the highest volume passages taking up far more ai…
*2025 much needed repress!!* Fresh reissued magic of Funky Stuff, formerly a rare exquisite by jazzmaster Jiro Inagaki, originally released in 1975. An enduring, pioneering fusion of jazz, funk, soul and rock - the album features some of the best and most acclaimed Japanese musicians of the time, enlisting the talent-wares of Hiromasa Suzuki on keyboards, Akira Ishikawa on drums and Takeru Muraoka on sax.
Luz gélida(d)o montediluída em flor(es).
Delicate guitars, ethereal voices, tracks woven from sighs and layers upon layers, like secrets and small nocturnal rituals under the cold glow of the moon. Beautiful, evocative, and quietly transformative. The artist, cláudia simões, also known as alga, dedicates this work to winter: a season of introspection, stillness, and subtle magic. Let's enjoy the offering.
Besides being a visual artist, Christoffer Kjærskov has quietly been making experimental music for the last 20 years. His works, always recorded to 4 track cassette, seem to carry a certain warmth flowing through the patiently unfolding loops and shimmering melodies this release is an assemblage of synthesizer, urban field recordings and even some synthetic flute solos peeping through the tape mist. A lovely unpretentious recording, I am very happy to present through afvikling .
2024 stock Two CDs of sound recordings from India, presented in a beautiful handmade wooden box. Indian Soundscapes is a double-album collecting various fieldrecordings made during four trips to India from 2001 to 2004. There cordings were made by Iyou, otherwise known as Charles Powne, ownerand proprietor of Soleilmoon Recordings since its inception in 1987. An engrossing two-hour-long audio adventure for armchair travellers, backseat drivers and homesick Desis. North, South, East, West. Rajast…
Patrick Shiroishi returns to his brutal prog roots for an album of 60 saxophone exercises, equally punishing and rewarding. Executed during the plague years and delivered in two halves, one featuring pieces composed strictly with programmed drum accompaniment, the second with additional metal/wood sound sources, Inoue truly stands out in an extensive and captivating discography.
Buh Records is proud to announce the release of "Cello in My Life", the new album by the renowned Ecuadorian composer Mesías Maiguashca. This deeply personal work reflects an intimate exploration of the relationship between the cello and the artist's life, realized in collaboration with celebrated cellist Gaby Schumacher. The album features six remarkable compositions spanning Maiguashca’s career from 1972 to 2015. Each piece offers a unique perspective on his groundbreaking approach to music, b…
On Compass Rises, Compass condense the grit and openness of early‑’70s upstate jazz into one privately pressed statement, an acoustic‑electric set that threads post‑Coltrane toughness, modal burn and soulful swing into a clear, straight‑ahead identity.
A Mountain Sees a Mountain, the new duo recording by Hamid Drake and Pat Thomas, captures two master improvisers engaged in an intimate yet expansive dialogue. Released in October 2025 via Old Heaven Books, the album bridges African rhythmic philosophy and European avant-piano traditions, achieving a deep equilibrium between motion, meditation, and melodic abstraction.
**Limited edition of 222 copies, black vinyl two color screenprinted cover** At eight o'clock on a March morning in 2024, as Amsterdam awakened around it, Charlemagne Palestine took his place at the console of the Vater-Müller organ in the Oude Kerk—the city's oldest building, a Gothic monument dating to 1306—and opened a portal. What emerged over the following forty-plus minutes, now captured on this limited edition LP, stands as one of the most concentrated distillations of Palestine's six-dec…
* 2021 Stock * "When I imagine, as I sometimes do, that evolution were possible, Complexity is not its goal, but perhaps the safety net for a possible Immediacy. This opens up the possibility to exercise sufficient safeguards in an ever finer woven net of abstractions ? if not to escape directly ? to at least be able to risk a glimpse through the netting: a glimpse unfiltered through abstraction, signs, predetermined patterns, a glimpse of unaltered reality." - Peter Ablinger
* 2021 Stock * One day I met something strange on a stroll through the fields not far from the Hungarian border. The corn stood tall and waited to be harvested. The hot summerly east wind went through the fields, and suddenly I heard the hiss. Many had explained it to me but still I cannot tell the difference between wheat and rye. But I heard the difference. I think it was the first time that I actually heard something without an aesthetic context (like in a concert). Or was it the first time I…
Lost 1977 electronic score by Soft Machine's Mike Ratledge, crafted with enigmatic Denys Irving on modified Moog/ARP synthesizers delivering ten hypnotic sequences of minimalist repetition. Transferred from BFI archives after master tapes vanished, this new 300-copy reissue follows the long out-of-print 2016 edition. Essential Riddles Of The Sphinx finally unearthed.