Wind In Lonely Fences 1970 - 2011
Harold Budd's music exists in that misty place between ambient, new age, and minimalist composition, where everything is gentle and nothing lasts for long. Over the past 40-plus years, he's released about 30 albums. Some are solo, some are collaborative; some are studio and some are live; some are improvised and some are structured. He famously worked with Brian Eno on the second of Eno's landmark "Ambient" series (Ambient 2: The Plateaux of Mirror), and less famously made an album with the Scot…
Budd Box
2013 release. Anthology box set containing 7 hard-to-find and critically acclaimed albums, released on labels such as Cantil, Opal and All Saints. The box includes: ‘The Serpent (In Quicksilver)’ (1981), 'Abandoned Cities’ (1984), ‘The White Arcades’ (1987), ‘By The Dawn’s Early Light’ (1991), ‘Music For 3 Pianos’ (1992) ‘Through The Hill’ (1994, with Andy Partridge of XTC), ‘Luxa’ (1996). Also includes 76 page book compiling interviews and essays about Harold’s work from writers such as…
For basset horn
Performed by Michele Marelli (basset horn): Traum-Formel (1981); Evas spiegel (1984); Susani (1984); Die 7 lieder der tage (1986); Freia (1991); In freundschaft (1977).
Zeus joueur de flutes
Alvise Vidolin (live electronics), Roberto Fabbriciani (flute)
Electronic music for piano
Agostino Di Scipio (computer e live electronics), Ciro Lombardi (piano).
s/t
Die Schachtel, for voices, chamber orchestra & tape by Franco Evangelisti / Performer: Valentina Barbarini, Elena Sorbi, / Conductor: Marco Angius / Orchestra: Ensemble Prometeo. Written in 1962-1963 and performed at the Lenz Teatro di Parma. 27’ 4’’.
Pierrot Lunaire, Op. 21 by Arnold Schoenberg / Conductor: Marco Angius/ Orchestra: Ensemble Prometeo/ Written in 1912 in Wien. Performed at Auditorium Paganini di Parma. 3’ 21’’.
Chamber Works 1992 - 2009
Chamber Works 1992–2009 showcases the breadth and quirks of British composer Laurence Crane over fourteen pieces for chamber ensemble, composed across nearly two decades and interpreted by Apartment House. Crane’s language thrives on the surface simplicity of steady rhythms and legible harmonies - progressions often cycle between just two chords, melodies unfold in minimal, singing arcs. But beneath the façade, odd details and playful subversions quietly destabilize any sense of predictability: …
The Art Of Living Dies...
Lack of musical material, minimalism but not for it's purposes, patterns shifting in themselves...The Art of Living Dies...The piece is performed by Michael Moser, a cult figure in Austrian new music, whose work includes significant collaborations with bands like Polwechsel and Zeitkratzer and artist such as Bernhard Lang, Peter Ablinger, Fennesz, David Sylvian (Manafon). Very slow, extremely static, the piece drives into one direction, without specific target but also without tendency to be con…
Quartet / Octet
Taku Sugimoto, guitar and composition, with Klaus Filip (sine tones), Ko Ishikawa (sho), Moe Kamura (voice), Kazushige Kinoshita (violin), Radu Malfatti (trombone), Masahiko Okura (clarinet), Taku Unami (sine tones), Nikos Veliotis (cello). 2013.
Plays Brown, Cage & Feldman
An accomplished group in the world of chamber music, the Concord String Quartet, active from 1971-1987, gained almost immediate attention from the press as well as a dedicated following, after winning the prestigious Walter W. Naumburg Chamber Music Award in 1972. Although the quartet was a classical string quartet, these rare 1973 recordings show the groups affinity for the "New York School" of avant-garde composers, like Earle Brown, John Cage and Morton Feldman, as well. Side B is entirely co…
Ensemble Works 3
'Palimpsest' (1979) for piano & ensemble. Cory Smythe, piano. 'Echange' (1989) for bass-clarinet & ensemble. Joshua Rubin, bass-clarinet. 'Akanthos' (1977) for soprano & ensemble. Tony Arnold, soprano. 'Thalleïn' (1984) for 16 instruments. 'O-Mega' (1997) for percussion & ensemble. Steven Schick, percussion & conductor. Steven Schick, conductor. 'Zythos' (1996) for trombone & 6 marimbas. Benny Sluchin, trombone.
An exhilarating Xenakis progran, built around works for soloist and ensemble. Most…
Onsets
Ici-bas' (2009) for ensemble & electronic sound. Hyperion Ensemble with members of Talea and the Bergersen Quartet. Tim Hodgkinson, conductor. 'Ulaaraar' (2005) for bass clarinet & strings. Tim Hodgkinson, bass clarinet and conductor. Ioan Marius Lacraru, Cornelia Petroiu, violas. Theodor Iancu, Andrei Kivu, cellos. Ion and Ciprian Ghita, basses. Anon, small gong. 'Amhas/Nirriti' [2001) for ensemble & electronic sound. Hyperion Ensemble. Tim Hodgkinson, conductor. 'Jo-Ha-Kyu' (2000-2010) for str…
Visitazioni
Two works from different periods come together in this "case-book": Ora (1997/2001) and Visitazioni (2011/ 2013). Times ... ways ... experiences intersect. Ora is a single stream of sounds and silences of 120 minutes. It can be "healed" (replaced) according to the feel of the listener. Its division into sections - like the same graphic score - have this unique feature. Headphone listening at a low volume is absolutely privileged. Visitazioni, referring to similar principles but changing the ways…
Pneuma
Pneuma presents five distinctive pieces by British composer Martin Iddon, performed by specialist new music ensembles. The set includes “pneuma.sarx” for Trio Atem (flute, voice, cello), “pneuma.kharis” (flute, cello, voice), “Danaë” (solo piano, Catherine Laws), and two works for larger instrumentations. Iddon’s music occupies unique territory, weaving together sparse, breathy textures and sudden shifts in color and gesture, drawing frequent reference to medieval and early Renaissance models - …
Piano Music
Two compositions exploring the decay of the piano from Wandelweiser composer Eva-Maria Houben. Fading sound is the link between life and art; between perception in daily life and perception while performing, while composing.“Fading sound is the link between life and art; between perception in daily life and perception while performing, while composing. And the awareness of fading sound may become the awareness of presence.” Halfway through Eva-Maria Houben’s abgemalt, the pianist unfurls a …
Works for String Quartet and Percussion
"The evolution of the string quartet repertory has accelerated during the last half of the twentieth-century and beyond as composers from both the mainstream and the avant-garde have mined its seemingly inexhaustible creative resources. This CD features the virtually unprecedented combination of string quartet and percussion. It contains three works by prominent American experimentalist composers from several generations exploring the ensemble's unique sonic resources in diverse stylistic settin…
Matthew Shlomowitz and Peter Ablinger
Works by Matthew Shlomowitz and Peter Ablinger for piano and found sounds. Mark Knoop performs Matthew Shlomowitz's "Popular Contexts", for piano and sampler keyboard and selections from Peter Ablinger's ongoing cycle "Voices and Piano". Both works deal with collected sonic objects - Shlomowitz's widely varied samples, ranging from insect noises to airline safety announcements, and the recorded speech of Ablinger's subjects - forcing them into musical juxtaposition with the piano.
"Popular Conte…
Organ Works Vol. 1
I put my music into the space. I don’t want to send any messages, I think of nothing and I don’t want to purport any meanings. The listeners hear what they hear and behave to the music as they feel.
Austrian composer, Klaus Lang, describes himself as observer of tones. As stated himself, his roots belong to Gregorian tradition and his music definitely represents abstract way of perceiving it.
Though abstraction (of form and content), he is interested in clarity and truth.
His work includes piec…
Logical harmonies
Logical Harmonies assembles seven pieces by UK composer Richard Glover, realized by a mobile ensemble including Philip Thomas (piano), Mark Bradley (clarinet), Mira Benjamin (violin), Andrea Stewart (cello), Bob Gilmore (keyboard), Seth Woods (cello), and others. Glover’s process-based music explores the transformation of simple harmonic patterns - major and minor thirds, triads, pure intervals - over extended time. Rather than evoke drama, each work layers tones and intervals into evolving cons…