New Arrivals
Spiraltendenz
After ten years from the date of its recording (2003), this surreal jam between kaleidoscopic Stuttgart's collective Metabolismus and evergreen American improviser Eugene Chadbourne, is finally turning into a wax. You'll have the cheerful feeling of listening to Sun Ra jamming with Stockhausen while together on a trip to Stonedland! What's on this record is basically high lysergic psychedelia meeting crazy free jazz, with some spared funky grooves and fragmented tapes manipulations. You'll be…
Winds & Skins
Winds & Skins transpired to be the very last set of recordings made by Afro-Cuban percussionist Sabu Martinez, who sadly passed away precisely one month after this December 1978 session was committed to tape. The album draws a line under a career that saw the illustrious musician performing alongside Dizzy Gillespie and Art Blakey as well as releasing a string of out-and-out classic Latin jazz records. Here the noted conguero teams up with the lauded saxophonist/flautist Sahib Shihab, who himsel…
Liquified Sky
Line is pleased to announce its latest edition featuring astoundingly detailed audio visual works by six internationally recognized artists: Evelina Domnitch + Dmitry Gelfand, COH, Paul Prudence, Francisco López, and Asmus Tietchens. The fluidity and even the granularity of light can be unfolded by the senses through active attunement coupled with meticulously orchestrated conditions. Though formerly considered impossible to imagine, let alone perceive, recently, a variety of quantum behavior h…
Open
"Following on from their two track LP release, Mindset (2011), Open sees legendary artists-in-resonance The Necks return to the territory they are best known for, a single piece running for over an hour. The piece emanates a calm, immersive stillness throughout. Already The Wire has said that Open "(displays The Necks') astute handling of pacing and momentum, finely honed collective sense of timing, (and) their shared ability to balance at length a group equilibrium". Here the band returns…
Falling / The Message Is Received
beatiful single, housed in a deluxe cover, ultra limited
Chiapaneca
A great, vivid recording of some wild playing, using the entire kit, rolling about on the various skins and cymbals. Recorded at Festival El Nicho Aural by Daniel Goldaracena at Centro Cultural España Mexico D.F 12 mayo 2012Mastering and cover design by Lasse Marhaug
Jedwabnik
More music involving the seemingly always-at-work Wojciech Kucharczyk (does the man ever sleep?), this time in a quartet alongside B a ej Król, Jerzy Mazzoll and Radek Dziubek. The project's title Dwutysi czny translates as 'two thousand' - referring, according to a brief recent interview with Easterndaze, to the year when Król first came across the music of the other three players, a discovery that eventually led him to write to them to ask if they'd donate him some of their recorded sounds to …
These Hidden Hands
Double LP pressed on 180 gm vinyl, Includes download code redeemable from the label** Tommy Four Seven and his buddy Alain present striking gothic techno architecture as These Hidden Hands on their excellent debut album. Converging a brutalist aesthetic with studio dynamism, their eponymous debut cycles eleven crushing blends of wrecking ball bass hits and pulverised noise rent with super wide and spacious production. It's a sound that's steadily attracted a lot of listeners and producers alike …
Staring Into The Sun: Ethiopian Tribal Music
A contemporary survey of the tribal music of Ethiopia. Recorded in 2009 by Olivia Wyatt, this double LP showcases an array of mind-blowing sounds from the "land of eternal sunshine." Presented in this visually stunning gatefold are audio examples ranging from remote tribes -- of the Ethiopian highlands, the lower Omo and the Great Rift Valley -- to their electric analogues in the sweaty beerhalls of Addis Ababa. This collection features songs from the Azmari, poet-musicians who play the k…
Heron
Long awaited reissue of the classic first album by legendary prog-folkies Heron, from Berkshire, UK. Issued in 1970 on the ultra collectable Dawn label, their beautiful songs were recorded in a field, surrounded by trees, birds and sun.
This debut album is an Acid Folk masterpiece. Delicate songs, brilliant interpretations and a magic sound provided for their "outdoors recording style". This sessions keep the attention of Roger Daltrey (The Who) who visited the band those days and John Peel, wh…
Freermasonry
Lyrically Freermasonry consists of a series of poems and discourses. Early on in Freermasonry during 'SOL,' the Mother allusion is referenced out of Faust Part Two. It's a small portion and short moment. Faust does an invocation to the Mothers, but the execution is as trickery through occult charlatanism and not truly believed ritual. Goethe found passages about dark goddess figures known as Mothers in the writings of Plutarch. The metaphor is ambiguous, generally associated with creative dar…
Quintet / Sextet
Otomo Yoshihide, guitar. Sachiko M, sine waves. Evan Parker, saxophones. John Edwards, double bass. Tony Marsh, drums. John Butcher, saxophones. The final night of Otomo and Sachiko's first residency in 2009 saw the pair joined by the long running trio of Evan Parker, John Edwards and Tony Marsh and special guest John Butcher. Butcher played duos with both Otomo and Sachiko (available as download only bonus tracks) and joined the quintet for a rousing sextet: stunning twin saxophone interplay, …
United States of America Triptych (III)
Voices by David Grubbs, Magorzata Penkalla and Pete Simonelli, guitars by David Grubbs and Miron Grzegorkiewicz, organ and violin by David Maranha, Text excerpted from Vanishing Point: How to Disappear in America without a Trace Music by David Grubbs, Miron Grzegorkiewicz, David Maranha, Gosia Penkalla, Pete Simonelli
Three takes on America - three journeys and three documents. Written and recorded.Year 1939, John A. Lomax and Ruby T. Lomax in their Plymouth - going South. 6502 miles, tons of …
Amaranthine
Every new Richard Youngs LP is in some way an event – his modus is so restless and yet his muse remains so distinctively personal that it’s always a thrill to see where he’s gonna dive in next. Amaranthine puts his vocals way up front for a series of four ecstatic bardic/future folk classics that ride in on wave after staggering wave of free form percussion, clanging household objects, shakuhachi and fuzz guitar. The vocals fall into the classic post-Summer Wanderer style of endlessly rep…
Comme A La Radio
Sensational reissue!!! In 1969, a French chanteuse, an Algerian multi-instrumentalist, and a Chicago jazz quartet undertook an experimental, exploratory, revolutionary musical voyage; a redrawing of musical parameters that, to this day, stands as a glittering beacon, glowing in the dark abyss of 'out' music. Featuring Areski Belkacem and Aart Ensemble of Chicago, Comme a la Radio is the sophomore album in Brigitte Fontaine's prolific career. Four decades on, and Comme à la Radio still sounds…
Untitled (for Agnes Martin)
owen and allison met in brooklyn in 2009 with the intention to record 5 minute ‘songs’. deciding to work within this duration, they made several version’s of each improvisation based on a set of changing environments for new piece. allison’s instrument’s included field recordings (processed and un-processed), ring-modulated sinewaves + contact mic; owen’s instruments included a speaker + rose pedals, various oscillators, radio + fm transmitter and contact mic’ed surfaces + objects. the re…
Metz
Some will find it hard to believe that a glamrock band with a gritty urban veneer came from Texas and stuck together long enough to release this milestone record. Indeed, I was startled to learn that they're from Texas and not NYC or London. Clearly the underground music scene throughout Texas is fertile with talent and enough socio-cultural diversity to support any genre, including mid-70s glamrock. Metz take on glam includes some of the associated clichés like heavy chunks of chord strokes and…
Aural Spaces
I've been in touch with Ian MIDDLETON for over 13 years now, lured into contact by a remora lathe-cut lp, I believe, which sounded similar in intent to ifco material that karla and I were working on at the time. IanIan's music has always had both organic and artificial elements combined with the vague melancholy of distant beauty. With Aural spaces, Ian has refined and distilled his processes into a gorgeous electronic diamond. To quote my good friend oskar spee, 'Aural spaces is an exotic, scie…
Problems
As per usual, Hundebiss delivers a sick record for us to choke down before we even know what’s in it (like your mom used to do at the dinner table). Problems, by Primitive Art, to these ears, represent a warped union of dub, industrial and even chillwave/hypnagogic pop. Reminds of that solo Avey Tare record, albeit dub-ified with the corners melted down and the beats rendered with more vintage care.
I am here where are you
After the great 2012 record by Brötzmann / Noble / Edwards, the worse the better, Peter Brötzmann and Steve Noble started to play some gigs as a duo. It worked out really well, wonderful pieces of music that had to be put on cd; an expert, you might even say telepathic, interplay between those two outstanding musicians, sometimes delicate and swinging, sometimes full-force free jazz.