New Arrivals
The New Year Is Over
Nine long and extraordinary tracks collected in a 3 CD, among fluctuating ambient atmospheres, hypnotic rhythmic progressions, circular and motionless stasis, acid psychedelic escapes, evocative electronic reflections... Slow suites of "classic" ambient music suspended and dilated, soft and wrapping sonorities alternated with evocative and dramatic crescendos, through progressive sounds layerings, drones, pulses, distant echoes of human voices and subliminal perceptions of ethnical vibrations...…
Sui poemi concentrici
Deluxe triple cd boxet "to write music for Dante’s entire Commedia... It was not without trepidation that I accepted the proposal for a television production. Especially to accompany a reading of the text, meaning to follow it step by step, but also to support it with solid architecture. It is the opposite of a background created fragmentarily with the situations to which it relates. [Rather] a complete structure that expresses itself within the poem, a unified plan. I thought of a single arch o…
An Accident In Substance
Many years in the making, An Accident In Substance collects all of the 7-inch tracks and a huge number of compilation appearances of Key Ransone's legendary project Small Cruel Party. Like the pungent scent of a campfire or the complex flavor of a good, peaty single malt, Small Cruel Party's mix of environmental sounds, far-off voices, and Cartridge Music-like close manipulation of tiny sounds get into your sinuses, your hair, your jacket, melding into a location-specific surrealist vision …
Another Merzbow records
'We kick-off 2010 with possibly the most essential Merzbow release for many years. This 3CD set is culled from appearances on various compilations, ranging from the most obscure cassette releases, to long out of print gems on labels such as Blast First and Susan Lawly. This material spans an entire decade from 1991 to 2001 and as such, tells its own story of the development and sonic chicanery that is the Merzbow sound during this time. If you only own one Merzbow work, this is the one to…
Earle Brown Contemporary Sound Series Vol. 2
3-CD Set. Recorded between 1960 and 1973, the original eighteen LPs that comprise Earle Brown's legendary Contemporary Sound Series have been highly sought after in the secondary market since 1978 when they were discontinued. These rare and historically important recordings of international avant-garde music have been carefully digitized and remastered by the Earle Brown Music Foundation. Volume two includes music by Nono (Polifonica-Monodia-Ritmica), Bruno Maderna (Serenata No. 2), Luciano Ber…
N°2
bilingual edition (English / French). 21 x 27 cm (softcover). 144 pages (color & b/w ill.)Second issue of the contemporary art journal about sound, devoted to the complex relationships between visual and sound forms, both in contemporary art and history, around the problematics of voice and oralness. Featuring: monographs (Anthony McCall, Vittorio Santoro, Loreto Troncoso Martinez, Benjamin Seror, Anna Barham), analysis (Radiotopia by Manuel Cirauqui, From verbivoco-visual poetry to the spatial…
Issue 6. September 2012
the sixth issue in a series of monthly magazines collecting activities and changes in general.Every visit to antwerp by the icelandic showmaster Sigtryggur Berg Sigmarsson in the last few years has been spiced by up and down outbursts of colaborative drawing sessions.This issue of mss meesterd collects over 200 colab drawings by dennis tyfus and sigtryggur Berg sigmarsson, which were done in 2 days! this issue is way thicker than the other issues of mss meesterd, it's printed on newspaper paper …
Beyond utopia
2012. English edition, 18,5 x 24 cm (softcover), 126 pages (b/w ill.). Edited by Sophie Warren and Jonathan Mosley. Contributions by Maria Fusco, Marie-Anne McQuay, Paul O'Neill, Elizabeth Price, Jane Rendell, Lee Stickells, Robin Wilson. Based on a project initiated by the collaborative practice of Sophie Warren and Jonathan Mosley with writer Robin Wilson, Beyond Utopia queries the function of utopian thinking in urban planning and spatial culture. The aim of the original project was to…
Sound
ound is one of a series documenting major themes and ideas in contemporary art. The ‘sonic turn’ in recent art reflects a wider cultural awareness that sight no longer dominates our perception or understanding of contemporary reality. The background buzz of myriad mechanically reproduced sounds increasingly mediates our lives. Tuning in to this incessant auditory stimulus some of our most influential artists have investigated the corporeal, cultural and political resonance. In tandem with r…
Exposition of Music
In 1963, Nam June Paik created a new genre of exhibition with his first solo show, The Exposition of Electronic Music-Electronic Television at Galerie Parnass in Wuppertal, West Germany. Fresh from his studies with John Cage and Karlheinz Stockhausen, and already a Fluxus veteran, Paik created a disorienting environment that foreshadowed much of what was to come in the 1960s: visitors, greeted at the entrance by a freshly slaughtered ox head, were not only confronted with the newness of the elec…
Repeating Ourselves: American Minimal Music as Cultural Practice
One of the most important, and clearly the most culturally and theoretically informed, of any of the major studies on minimalism. No other book comes remotely close to establishing the historical links between early postmodernist Euro-American social changes. Fink's scholarship is as impeccable as his readings of minimalist compositions are stunningly insightful. Not least, the book is beautifully written."--Richard Leppert, editor of "T. W. Adorno, Essays On Music" "A model of interdisciplinary…
n. 04
Fourth issue of the contemporary art journal about sound: Mark Leckey, Ruth Ewan, Tom Marion and the sonic explorations in San Francisco Bay, notes on Robert Morris' 21.3, interview with Pierre Henry, the Louie Louie project, special interventions by Dora García and Hannah Rickards, etc. This fourth issue of Volume comes under the aegis of the double. Somewhere between duality and dialogue, the praxis of certain artists is illustrated as much by way of music as through the visual art…
See this sound
An interdisciplinary compendium of audiovisual culture, this very nice art catalogue explores the connections between image and sound in art, media and perception. "Artists today take an engagement with the sound of this world for granted. The former predominance of the visual has meanwhile been replaced by a multifaceted interplay of image and sound. Even though contemplative quiet still largely predominates in museums, sound, experimental composition, audiovisual media and pop culture have bec…
Issue 3. June 2012
"the third issue in a series of monthly magazines collecting activities and changes in general.this third issue collects 20 full colour silkscreens of photographs and photo collages, of recent and/or good times, some may recognize the likes of Vincent Snoop, Spencer Clark, Tazartez Ghedalia, Vaast Colson, Guy Rombouts, Jah Matthé, Chris Corsano, Hendrik Hegray, LVMM or Peter Fengler within this blurryness.this issue was silkscreened by Gerard Herman, lay out by Jef Cuypers, limited and numbered …
El Camino del Hardcore
In 2009 we started working with the Gæoudjiparl on a publication featuring some of his graphic notation work. Almost three years in the making, this epic work has become a 192 page long book which includes tons of challenging theory, brutally detailed illustration, mind-bending scores, obscure links, a long conversation between the Goodiepal and Roc Jiménez de Cisneros, and loads of Scandinavian fun to further expand the Goodiepal's never-ending descent into the abyss of Radical Computer Music. …
Almost Nothing with Luc Ferrari
Originally published in France in 2002, Jacqueline Caux’s Presque Rien avec Luc Ferrari is the first book to offer a comprehensive and insightful look into the work and career of one the most pioneering music composers of the second half of the 20th century. Errant Bodies Press is pleased to release the English edition translated by Jérôme Hansen.True to the genre-defying career of Luc Ferrari, who passed away in 2005 at the age of 76, the book skilfully assembles original interviews conducted b…
N°5
5th issue of the contemporary art journal about sound, devoted to the complex relationships between visual and sound forms (critical texts, historical analysis, interviews, artist's interventions...): Céleste Boursier-Mougenot, Erik Bünger, Destroy All Monsters, Julien Discrit & Thomas Dupouy, Rashid Johnson, Kapwani Kiwanga, Claude Lévêque, Haroon Mirza, Kristin Oppenheim, Katie Paterson, Ugo Rondinone, Cauleen Smith, artistic contributions by Meris Angioletti, Isabelle Giovacchini and Joachim …
Issue 5. August 2012
the fifth issue in a series of monthly magazines collecting activities and changes in general.This issue was made in vienna in the beginning of august, made in between, after, and before swimming, train rides, visits to exhibtions by Burroughs, daniel spoerri, breathing in fresh air, garlic soup, wine etc..i like vienna, not only for all above mentioned, also because there's a bunch of old skool photo boot machines there.. where half of this book was made.limited to 150 copies, riso printed by j…
MSS Meesterd issue 7 (October 2012) zine
the seventh issue in a series of monthly magazines collecting activities and changes in general. this MSS was mostly made during a short trip to dui otok and zadar in croatia where decent home made wine and a daily dip in the sea produced a rather happy and colourful issue, it's also made in conjunction with the "rond de put" exhibition, currated by Johan Pas, Christine Clinckx and Kris Van Dessel in Ekeren, a village near the turd where i grew up. therefor i also published flyers for punkshows …
Noise Music: A History
Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde. While it provi…