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All new Ilitch studio recording! An horrific grandchild springs from the magma: Ilitch'll itch your progadelic scratch with its well manicured talons of fire. This Ilitchian renaissance zigs deep space experimental and zags full metal Zuehl. Electronics chirp and howl like the opening coda of Susperia, then explode into Weidorje intensity fuzz violence, cheered on by a pecussive force that sounds like Mussolini being kicked to death. The shifting interplay between total rockers and extrat…
Ben Frost and Daníel Bjarnason are two composers used to shrugging off the distinction between experimental sound-art and deeply felt melodies. frost's vast, blackened post-industrial works often crystallize in moments of quiet beauty before disintegrating in pure visceral noise; bjarnason's orchestral music marries brutal modernism to classical aesthetics one moment and soaring ethereal harmonies the next. and yet here, on the tail of two widely acclaimed releases; bjarnason's procession…
Created between September 2008 and February 2010 in the artist's studio. Viola da gamba: Pierre-Yves Martel. Violin: Chris Bartos.'strings.lines' came to life from an obsession for old and forgotten object-matter and the desire to produce music that exists in between the new and the old. The starting point to the composition of this work were acoustic tuning forks. In 2007 Nicolas Bernier became fascinated with this object/instrument of particularly beautiful design, and started a collec…
When, years ago, I read Herman Hesse's "Steppenwolf" I was struck by a part of the novel... Harry Haller, the main character, is walking through a passage with endless doors. As he opens each door he is thrown into a new, unknown, mysterious dimension; a life between the real and the virtual world."Login" is an imaginary journey through the web, where one can explore new realities - or different views of well known stuff - on a thin line between truth and fiction.For this sound project I've used…
Composed and produced by Marc Behrens in 2007-2008 in Bergen, Oslo and Frankfurt am Main. Basic material recorded in Gloppen, Bergen, on Utvær island, at Brenndalsbreen glacier and close to Rosskleivvatnet lake, Norway. Sleppet originated from a sound art project in 2007, when six renowned artists (Natasha Barrett, Bjarne Kvinnsland, Steve Roden, Chris Watson, Jana Winderen and Marc Behrens) recorded sounds on a 10-day trip through the Norwegian Westlandet region and used the nature exper…
Awesome compilation in a limited edition of 300 hand-numbered copies. With Sébastien Roux / Eddie Ladoire, Rafael Toral, Elio Martusciello, David Toop, Terry Day, Matt Davies, Skoltz / Kolgen, Scanner, KK NULL, Alvin Curran, Efzeg, Eddie Prevost / John Butcher, Lawrence English, Rhodri Davies / Joe Williamson / Stefano Tedesco, Olivia Block...."We, the 'kids' (whowe?) should listen more to classical music. At least that's what Deutsche Grammophon wants, since they want us to buy their CDs. B…
Two related classic Saturn LP reissues on a single CD, both recorded at the Detroit Jazz Centre - in 1980 and 1981 respectively. They share an excellent sound quality and great playing - there's a classic version of Rocket No.9 and plenty of otherworldly Moog and electronic keyboards - up there with Ra's best on record. Rocket excepted, all the pieces are original to these LPs and don't appear elsewhere (though the first track of Purple is heard again at the end, with another name (exactl…
Miasma are a band comprised of various members of Guapo, Cathedral, Chrome Hoof and Elsa Drake all playing at the top of their form on this three-part sequence of instrumentals. The band court references to prog, the occult and Victoriana - at least that's what the press release is saying, and I'm not one to argue. The group's fearsome instrumental abilities are the real source of Miasma's strength, with sophisticated, thorough arrangements boasting some of the finest implementation of bassoon y…
The 'Grundton' of this 30-minute composition is the recording of the concert given at SND Studios Sheffield (UK) in March 2009, entitled 'Why is there something rather than nothing?' by Mark Fell and powered with d&b speakers by Tony Myatt (MRC, University of York). The sounds of planes have been recorded in Mallorca (Spain) in 1987, and in Pilat (France) in 2009. This music comes after HCDC, composed in November 2008 after the death of Daniel Charles Ð his last days were darkened by brea…
A long overdue meeting of two of the titans of the saxophone. Alan Wilkinson (alto, Baritone & Voice) and Peter Brotzmann (clarinet, tarogato & tenor) together with Willi Kellers (drums) and Simon H. Fell (bass) blow up one hell of a storm. The individuals on this recording consciously commit, putting themselves 'out there', over the edge. The energy, the electricity, generated by saxophonists Wilkinson and Brötzmann, is a result of their fearless approach to the precipice and their willingness …
23 Track CD Anthology. For three decades Hamburg's Felix Kubin operated as an undercover Sci-Fi pop visionary. Lurching from seasick electronics to dramatic outsider songcraft, the highlights of Kubin's engaging teenage experiments (Krematorien) and later pop masterworks (Lightning Strikes) mingle here with electrified spaghetti-western romps (Sabàta) and terminal noise-spasms (Dead End Brain). Lovingly curated, this deluxe collector's edition features exclusive liner notes, unpublished p…
Saddleback is the solo project for producer Tony Dupé. In many ways, with its warm and exploratory craft, Everything’s A Love Letter is the culmination of the varying strands in Tony’s musical life.Tony first came to notice in Glovebox, who put an ethereal, ambient twist on the indie-pop scene as far back as the early ‘90s. Glovebox’s swirling sound has been as unhurried as its release schedule, though no matter how spare their output, each album has always found a warm reception. The group were…
The very old catfish, covered in moss, that live in the depths of the lake, never go up towards daylight and disdain any bait that nature offers them.They are only attracted by the oddest shapes that fishermen can invent, shiny and silvery blades in the shape of a human hand that, attached to their line, dance a jig; or also a bat made of red glass with hooks treacherously sewn inside their wings'. G.Meyrink. Instruments: mechanical metronome with bell, harmonica reeds, six string banjo, amps, m…
Seductive but perilous, he Kilimanjaro Darkjazz Ensemble's new session under the Mount Fuji Doomjazz Corporation name is a new combination of drones and jazz. Creating sensual, murky and dark atmospheres, “Succubus” the evolution of this band, with stronger horns and a focus on hypnotic, soundtrack-like material. A deep, dark and yet seductive trip again for the corporation.
Through their use of low tech means and focusing on the blending of guitar noise and electronic voice processing, Lovesliescrushing can be seen as the early 'missing link' between the likes of Slowdive and Fennesz. Their output has been consistently and beautifully crafted... works that contain an element of sonic mystery and still sound timeless. Lovesliescrushing is an important, if perhaps overlooked, point in the timeline of contemporary electronic music. - Richard Chartier.Loveslies…
The long-awaited Aleph at Hallucinatory Mountain is Current 93's first album in three years, following their double-platinum-selling Black Ships Ate the Sky. Spinning around epic series of verses written by Current 93 founder David Tibet, the new album sees Tibet back with a new 1972-style supergroup comprised of himself on vocals and July and Gorgon guitars; guitar hero James Blackshaw on 12-string guitar and piano; counter-culture guru William Breeze on electric viola and viola-controlled samp…
Takahiro Kawaguchi: tuning fork. Shinjiro Yamaguchi: guitar. Composed by Takahiro Kawaguchi. Edited by Shinjiro Yamaguchi. Recorded by Takahiro Kawaguchi at 102 Studio, Tokyo, November 9, 2008. Mastered by Taku Unami. Takahiro Kawaguchi began making field recordings and performing improvised music in 2000, and in recent years has attracted a great deal of attention as a sound artist. In January 2009 he released, on Taku Unami's label Hibari Music, the solo album, on which he uses several remodel…
Ursula Maehr, recorder. Carles Peris, saxophone, flute. Francis Petter, saxophone, bass clarinet. Valentin Vecellio, basset horn. Marco von Orelli, trumpet. Sabine von Werra, voice. Christoph Baumann, piano. Markus Fischer, double bass. Jacques Widmer, drums. Recorded 9-11 November 2007
For the better part of the past decade, Loren Chasse has been refining his compelling sonic approach, which generally involves "activating" the latent sound-making qualities of natural / commonplace objects, such as pine cones, leaves, stones, or paper. This approach will seem immediately familiar to fans of John Cage, although Chasse's work has always felt more humanist to me than Cage's—driven less by theory and more by a romanticism that isn't afraid to get muddy or wet. You could also align…
The Four Aims is the much-anticipated second full-length by the long-running duo of Mick Flower (Vibracathedral Orchestra, Sunroof, Michael Flower Band) and Chris Corsano (Flaherty/Corsano, Jandek, Bjork, Sunburned). In the couple years since their debut, The Radiant Mirror (Textile), the two have toured and recorded frequently, expanding their range to include a mind-boggling array of free sound. "I, Brute Force" kicks off the record with their signature-- one of the most original in rock/free/…