New Arrivals
Time & Motion
Radio Massacre International is a British trio of Steve Dinsdale (keyboards, electronics, drums), Duncan Goddard (keyboards, electronics, bass) and Gary Houghton (guitar, synthesizers). These three musicians have worked together in various configurations since they were 16 year old students in the 70s and formed R.M.I. in 1993. After nearly 20 years together as R.M.I. and over 30 albums and hundreds of concerts, you might think that there might be no surprises left, but like their undulating, fl…
Marvellous Boy: Calypso From West Africa
endlessly satisfying' (Boston Phoenix); 'Blending cheeky calypso with rocking highlife — and by turns breezy, wistful and downright uproarious' (Daily Telegraph); 'gems at every turn... weaving highlife, swing, military brass bands, Afro-Cuban jazz, into a hell of a compilation... Honest Jon's have added to the highest order of this simple music of heartbreaking celebration' (Brainwashed). The inter-war dance bands of British West Africa are often strikingly similar in sound to Trinidadian orche…
Danza de la Vida
The follow-up to our "Danza de la Muerte" compilation focuses on the more song orientated Syntactic releases. Also, you will find tracks that were planned as Syntactic or Klanggalerie 7"s, but never made it onto vinyl. The track list reads as follows: Andrew Liles - In this vegetable Glass of Nature Le Zappalot (Rehberg/Bauer/Birnbach) - Erika goes to Leopoldau O Yuki Conjugate - Madal (Circular…
Llum moll
Llum Moll is a multilayered composition made with a manipulated AM radio receiver subjected to interference by LED lamps. The combination of the lamps in tandem with the radio tuned to certain frequencies creates a phantom organ' sound, turning the receiver into an instrument with a peculiar timbre and pitch. The composition was made in two parts. The first was to record and then select fragments with different lengths, pitches and textures. The second was to readjust the pitch of the chosen fra…
Live in concert
Denman Maroney (piano) & Mark Dresser (bass). Vision Festival NY - June 11, 2008. This is the third duo album by bassist Mark Dresser and pianist Denman Maroney, after Duologues and Time Changes. In contrast to some of the other material by the two players, this one is fully improvised in three long pieces. The first 30 minute track was recorded live at Vision Festival on June 10, 2008, the two other pieces date from a performance in Chicago in 2001. It's hard to call this jazz, since none of th…
The invisible city
Recorded and mixed during 2008-2009 in Berlin. All tracks composed by BJNilsen using tape recorders, computer, organ, acoustic guitar, electronics, viola, subharchord. Field recordings from Sweden, Iceland, Norway, UK, Japan, Portugal and Germany. The subharchord was recorded in the EAM Studio @ Adk, Berlin. Viola played by Hildur Gudnadottir. Mastered by Denis Blackham at Skye.
Transient Places
Music in the here and now. An event in an everyday situation. A connecting link between actual occurrences and the deepest depths of one's inner world. A balancing act between total control and the inexplicable. An acoustic journey through the present. It is with his ears that Luigi Archetti journeys into the guitar's pick-up, to the limits of the audible. He hears, listens and gathers until he has a whole depot of sounds at his disposal, which he then processes by structured planning or b…
Bricolage
'Alessandra Rombolà: flutes, tiles & preparations. Rhodri Davies: electric harp & electronics. Ingar Zach: percussion, drone commander & sruti box. All music by Muta. Recorded by Fadi Tabbal on the 8th of april 2009, at Tunefork studio, Beirut. Edited by Ingar Zach, mixed & mastered by Giuseppe Ielasi. Artwork & design by Mazen Kerbaj. Produced in Lebanon by Al Maslakh & Muta.'
Class Insecta
One of the pioneers of laptop electronics, Ikue Mori has been breaking new ground on the musical frontier for three decades. From her early days in the landmark no wave band DNA, to her years as a regular in the downtown improvisation community and more recently as one of the epicenters of the international laptop electronic scene, Ikue has become an underground hero -- yet her work is still sorely underappreciated. This newest solo CD features Ikue's idiosyncratic take on contemporary dance rhy…
For Tomasz Sikorski
This release then of three short pieces under ten minutes by the Pole; Autograph (1980), Rondo (1984) and Zertstreutes Hinausschauen (1971) clearly holds some emotional resonance for Tilbury as he reflects on the music of his deceased old friend, and he then adds a fourth track here, a thirteen minute long improvisation in Sikorski's memory. The composed pieces here are each a nice listen, with the opening Autograph possibly the pick, as small flurries of melodic fragment are rotated, so …
Myriad
Mayas frames her instrument not as 88 keys arranged in tidy scales, but as a sonorous tangle of wood and wire, she produces sounds with a wide dynamic range, playing the whole piano, inside and out, including dramatic percussive effects from banging and scraping the frame of the instrument and the strings. Abdelnour has developed extended techniques and complex patterns of sound production, exploring the microtonal aspects of the saxophone and its high-pitched tones. she employs subtle tonguing…
Map in hand
Seaworthy, a three piece collective based in Sydney, Australia that revolves around core member Cameron Webb as well as Sam Shinazzi and Greg Bird, was formed in early 2000 to explore melodic and experimental approaches to the construction of minimalist sound scapes from looped guitar, warm drones, piano, electronics and field recordings.Map In Hand often blurs the lines of conventional categorisation with elements traditionally considered part of “indie” or “post” rock blended with processed mu…
Bones
After playing bass with Rodan, pioneers of post-rock and post-hardcore, the long-respected and much-lauded Tara Jane ONeil has formed bands like The Sonora Pine and Retsin and has collaborated with Sebadoh, Papa M, Come, Low and Ida. Her first two solo albums for the Quarterstick label (Calexico, Rachels, June of ‘44), Peregrine and In The Sun Lines drew great acclaim for a rich musical tapestry The Wire has called “evocative dream music”. Consistently on the move, ONeil records all over the US,…
You+Me+The Continuum
Primordial Undermind's second full-length blast of psychedelic freakout guitar bliss evolves the sonics found on their critically-acclaimed September Gurls debut into freer, more expansive territory, while retaining plenty of the finely-honed song craft familiar to those lucky enough to have grabbed any of their unfailingly excellent singles. Long modal excursions into the heart of free guitar darkness like "Device", "Turning of the Worm" and "Persistence of Trinity", are counterbalanced by defi…
The Sleeping Morning
The collaborative efforts of Athens native Savvas Ysatis and New Yorker Taylor Deupree were well known in the early and mid 1990s through their work as SETI, Futique, and Arc, as well as their soundtrack to Japanese architect Toyo Ito's famed Tower of Winds building in Yokohama, Japan. After going their separate ways, Ysatis to recording for Tresor in Berlin, and Deupree to founding the 12k label, they have united again for their first project in nearly 10 years.
Almost all of Ysatis and Deupree…
Erroneous: A Selection Of Errors
Lovely collaborative project, result of the meeting of Italian cult band Larsen and Steven Stapleton’s ubiquitous creature Nurse With Wound. Almost 2 years of file swapping and occasional conceptual meetings led to a multi-headed collection of deformed sounds based on one long NWW piece and two Larsen tracks (that both bands have written specifically for this project) then deconstructed and rebuilt by each other into totally brand new opuses.Erroneous also features Neu! and Kraftwerk original me…
Anro
A narrow path of safety extending through the gloom, its edges bleeding into the fearful zones of disorder and formlessness that enclose it. Paths create borders, they limn the known from the unknown, the clean from the unclean, the citizen from the exile, the present from the past. But while paths create boundaries, they themselves are ambivalent, neither here nor there, neither now nor then. The act of making a path where none existed always involves the subjugation of the unknown and f…
s3d (Ear & Eye)
s3d presents a world of fresh sounds from invented and unconventional instruments with names as curious and evocative as the sounds they produce: mothics, shimsaw, kyurukyuttsu, gloopdrum, corrugahorn, sprong, sundrum and many more. An international collaboration. Twelve experimental instrument builders/improvisors in an inspirational world-first.
Nazoranai
Keiji Haino (guitar, vocals & synth), Stephen O'Malley (bass guitar) & Oren Ambarchi (battery). Recorded by Chris Fullard at Gaîté Lyrique, Paris 8th November 2011. Edited by Oren Ambarchi in Sydney January 2012. Mixed by Joe Talia & Oren Ambarchi at Chinatown, Melbourne 8th February 2012. Mastered by Joe Talia at Chinatown, Melbourne 17th April 2012. Vinyl cut by Rashad Becker at Dubplates & Mastering, Berlin April 2012. Artwork: Lars Teichmann 'Bathing Girls' & 'Nymphos' (detail, 2010, …
A Church Is Only Sacred To Believers
Nicholas Christian - Matt Milton - Dddie Prevost - Bechir Saade, recorded on sunday 17th of june 2007 at Atomic Studio London. “Spontaneity is not mere impulse… It does not imply undeliberated behaviour or feeling. Spontaneity is behaviour, feeling and thought that is free of external constraint, of imposed restriction. It is not an an uncontrolled effluvium of passion and action. Insofar as the individual removes the fetters of domination that have stifled her or his self-activity, she or he is…