Jazz /
Dialogue
** Special Time-Limited Offer ** Dialogue finds Bobby Hutcherson at the centre of a forward‑looking sextet: Freddie Hubbard on trumpet, Sam Rivers on reeds, Andrew Hill on piano, Richard Davis on bass, and Joe Chambers on drums. The compositions are exploratory, blending post‑bop, free jazz, and avant‑garde impulses into structures that encourage risk‑taking. Hutcherson’s vibes oscillate between delicate, bell‑like patterns and sharply articulated lines, often bridging Rivers’ angular statements…
Dance With Death
** Special Time-Limited Offer ** Recorded in 1968 but long unreleased, Dance with Death showcases Andrew Hill with Charles Tolliver on trumpet, Joe Farrell on saxes, Victor Sproles on bass, and Billy Higgins on drums. Hill’s themes are knotty yet singable, his rhythms subtly displaced, his harmonies rich with ambiguity. He sometimes sketches skeletal frameworks at the piano, sometimes erupts into dense, percussive passages, while the horns and rhythm section navigate shifting tempos and unexpect…
Point Of Departure
** Special Time-Limited Offer ** On Point of Departure, Andrew Hill convenes a dream ensemble: Eric Dolphy on alto, bass clarinet, and flute, Joe Henderson on tenor sax, Kenny Dorham on trumpet, Richard Davis on bass, and Tony Williams on drums. Hill’s compositions bend conventional form with asymmetrical phrases, overlapping lines, and harmonies that hover between centres, creating a sense of forward motion as much psychological as rhythmic. Each soloist finds personal routes through these land…
Inner Urge
** Special Time-Limited Offer ** Inner Urge finds Joe Henderson pushing his quartet – McCoy Tyner (piano), Bob Cranshaw (bass), and Elvin Jones (drums) – into more intense and complex territory. The title track’s driving rhythm and restless harmonic motion set the tone for a session where the stakes feel higher and the edges a bit sharper. Henderson probes motifs, worrying them from different angles, unafraid of jagged contours or sudden leaps. Tyner’s dense voicings and rolling left hand, Crans…
The Prisoner
** Special Time-Limited Offer ** The Prisoner is one of Herbie Hancock’s most ambitious large‑ensemble works, featuring Johnny Coles and Thad Jones on trumpet/flugelhorn, Garnett Brown and Jack Rains on trombones, Joe Newman on bass trombone, Hubert Laws and Romeo Penque on reeds, Tony Studd on tuba, Ron Carter on bass, and Grady Tate on drums, among others. Written in response to the assassination of Martin Luther King Jr., the music uses orchestral textures to explore themes of oppression and …
Speak Like A Child
** Special Time-Limited Offer ** On Speak Like a Child, Herbie Hancock opts for subtler shades with an unusual front line of Thad Jones on flugelhorn, Peter Phillips (or Jerry Dodgion) on alto flute, and Jackie McLean on alto sax, supported by Ron Carter on bass and Mickey Roker on drums. Carefully voiced harmonies create a soft‑focus glow around lullaby‑like themes that harbour unexpected harmonic turns. Hancock’s piano is restrained and lyrical, often leaving wide spaces around simple phrases,…
My Point Of View
** Special Time-Limited Offer ** My Point of View shows Herbie Hancock widening his palette with a larger band: Donald Byrd on trumpet, Garnett Brown on trombone, Hank Mobley on tenor, Grant Green on guitar, Chuck Israels on bass, Tony Williams on drums, and Patricia “Patty” T. on vocals on one track. The writing is richer and more layered, from soulful vamps to waltz‑like lyricism, yet unified by Hancock’s sense of structure and colour. The horns are given space to develop ideas; Green’s guitar…
City Lights
Tone Poet, the series created in 2019 to mark the 80th anniversary of the blue label, continues its releases. The Blue Note vinyl reissue collection was created with the intention of celebrating the musical and sonic journey of the great artists who have travelled their creative path in the grooves of the label's great albums, helping to make the brand a legend. The series stems from Don Was's (President of Blue Note) admiration for the exceptional reissues for true audiophiles produced by the i…
Tonight At Noon
"Tonight At Noon" compiles tracks from two earlier recordings sessions: one session from 1957 with Jimmy Knepper on the trombone, the drummer Dannie Richmond, Saxophone player Shafi Hadi and the pianist Wade Legge, which were released on the album "The Clown" (Atlantic 1260). The second session took place in 1961 with Booker Ervin and Roland Kirk on the saxophone, Knepper, the bassist Doug Watkins, Mingus at the piano and Richmond on the drums, and was released on "Oh Yeah" (Atlantic SD 1377).
T…
Percussion Bitter Sweet
August 1961. Van Gelder Studio, Englewood Cliffs, New Jersey. Max Roach - the man who reinvented jazz drumming alongside Charlie Parker and Dizzy Gillespie in the 1940s, the co-leader with Clifford Brown of the definitive hard bop quintet until tragedy struck in 1956 - enters the studio with something to say. Something that cannot wait. Something that demands a new language.
The year before, Roach had recorded We Insist! Freedom Now Suite for Candid Records, a searing response to the Civil Right…
Four For Trane
August 10, 1964. Van Gelder Studio, Englewood Cliffs, New Jersey. A young saxophonist from Philadelphia enters the studio to record his first album as a leader for Impulse! Records. At his side, as co-producer, stands the man to whom he owes everything: John Coltrane. Archie Shepp was twenty-seven years old when Four For Trane was recorded - an age that in 1964 jazz still meant being an emerging voice. Born in Fort Lauderdale but raised in Philadelphia - the same Philadelphia as Coltrane, eleven…
New Trombone
Jazz fans rejoice: Curtis Fuller's seminal debut album, New Trombone, originally released on Prestige in 1957, is back in the spotlight. At just 23 years old, the Detroit-born trombonist arrived on the scene with a fluent, innovative style that marked a bold evolution for the trombone in jazz.
Backed by an all-star quintet – Sonny Red on alto sax, Hank Jones on piano, Doug Watkins on bass, and Louis Hayes on drums – Fuller delivers a powerhouse hard-bop session. The album bursts open with three …
Golden Flower: Live In Sweden
There are musicians who play jazz and there are musicians who expand its very definition. Yusef Lateef was the latter - a visionary who brought the oboe, the argol, the shanai, the bamboo flute and countless other instruments into the jazz vocabulary decades before "world music" became a marketing category. Golden Flower: Live in Sweden presents two never-before-released concert recordings that capture this master at the height of his powers, finally emerging from the Sveriges Radio tape vaults …
Mating Call
Experience a remarkable session led by the legendary pianist and composer Tadd Dameron, recorded in 1956 and featuring the young lion John Coltrane, fresh from his tenure with Miles Davis. Mating Call is a solid and often overlooked gem showcasing six powerful and beautiful Dameron compositions. Performed by an impeccably tight quartet, the album features John Simmons on bass and Philly Joe Jones on drums, complementing Dameron’s distinctive bass-heavy piano style. This foundation offers a rich …
Live in Kallio
On Live in Kallio, Markus Holkko Quartet turns a Helsinki neighborhood into a pressure chamber of color and rhythm, blending proggy contours, retro-fusion heat and modern Nordic lyricism into long-form live explorations that feel both heady and immediate, cerebral yet unafraid to let the groove bite.
Live At Sogn Student Campus 1968
On Live At Sogn Student Campus 1968, Ditlef Eckhoff Quintet captures Oslo’s student underground at full boil: hard-bop heads splinter into early freebag squalls while Knut Riisnæs and Christian Reim drive the frontline with nervy, melodic fire, turning a long-lost campus tape into a vivid document of Nordic modern jazz in transition.
Jyväskylä Workshop Band 1970
A previously unissued post-bop document from 1970, Jyväskylä Workshop Band 1970 assembles American saxophonist Charlie Mariano, Norwegian bassist Arild Andersen and Finnish luminaries Heikki Sarmanto, Eero Koivistoinen, Paroni Paakkunainen, Seppo Ranniko, Pekka Pöyry, Edward Vesala and Matti Koskiala. Professionally captured in concert, the album delivers a vibrant set of groovy, exploratory and subtly exotic tunes that helped assert Finland’s place on the international jazz map.
At The Montreux Jazz Festival
This live jazz album, recorded on June 15, 1968, at the Montreux Jazz Festival in Switzerland, showcases the extraordinary artistry of Bill Evans on piano, accompanied by Eddie Gómez on bass and Jack DeJohnette on drums. Capturing the trio at a peak of creative interplay, the album presents a captivating blend of original compositions and classic standards.
The repertoire features Evans originals such as “One for Helen” and “Nardis”, alongside his masterful interpretations of timeless pieces lik…
Karel Velebny SHQ (PF 69)
In February, 1968, as the false Spring of hope was rising in occupied Czechoslovakia, ESP instructed Karl Velebny to record his group of improvisers during their upcoming tour of Germany. In April, 1968, the clandestine project was completed. Karel survived a terrible auto crash and sent photographs to ESP, which were utilized on the LP cover as a symbolic reference to the plight of the Czech people. A must for anyone interested in European jazz and the history of its relationship with the '60s …
Mama Too Tight
Originally released in 1967, Mama Too Tight stands as one of the most daring and structurally innovative albums from Archie Shepp, a pivotal figure in the free jazz movement and African-American cultural protest of the 1960s. Distinct from his more explosive works, this album showcases a refined compositional complexity, featuring avant-garde marching-band-style arrangements, masterful horn orchestrations, and a unique blend of humor and improvisational tension.
The title track, Mama Too Tight, …