New Arrivals
Die Arbeiter von Wien
'The third part in Jupitter-Larsen's series of old trade union / battle songs follows Internationale (Banned Production 2010) and Solidarity CD (Banned Production 2010). Written by the Viennese lyricist and essayist Fritz Brügel, presumably in the late 1920s, this piece deals with the events during the so-called July Revolt in the capital of Austria on July 15, 1927, caused by a court verdict which acquitted three members of the right-wing Frontkmpfervereinigung Deutsch-Österreichs (the sa…
Limb
Subtitled Minimal Compositions, Instrumentals, and Experiments 1980-1983, J.G. Thirlwell's CD-DVD retrospective casts an entirely new and surprising light on his already diverse and infamous Foetus moniker. Some of these songs are close to being 30 years old, however they share more in common with Thirlwell's Manorexia and Steroid Maximus projects than with anything found on albums like Hole or Nail. Steeped in the theory and aesthetics of modern composition, Limb is a revelatory collection th…
Atrocity exhibition
Here's an unmissable and collectable 150 copies limited edition CD album, released to celebrate our fifth year of activities and available only as a free "bonus" included in the "bag" that contains the latest 13 Silentes releases. Born from an idea by Stefano Gentile, who also actively participated to the making of the album, the Maribor project brings together for the first time in a collaborative CD some of the most remarkable names of the Italian experimental and avantagarde scene: Maurizio B…
Weight
Nolan Throop is well known for his solo project Kakerlak and several brilliant collaborations. Parallel to this has always cultivated a passion for industrial and the more obscure noise, in constant progression through its project vergraben before and rumination now. Short tracks, monotonous and percussive, sounding like a degraded version of the SPK. Old drum machines, junk metal loops and radio voices that create industrial marches covered with a thick dose of negativity…
CD Box 1970-1973
Massive 7xCD box set compiling rare material by the great alto screamer Kaoru Abe is the lost wild legend of '70s Japanese free jazz. In the short space of his tempestuous life, he burnt a path which has served as a map for a whole generation of Japanese artists to follow who would call themselves 'free' in any sense of the word whatsoever. Though he performed live frequently in his day, his releases were sporadic, many of them emerging after his untimely death in 1978, and on a string of Japane…
quicksilver logic / ekati
Finnish artist Tommi Keränen deliver 4 minutes of blasting harsh noise a la Bats In The Attick era. Fierce movements and an insane composition which this time seem even more focused and compressed. Lettera 22 on the other side play a fast and frantic track made by mixer shortcuts, feedbacks and tape saturation. Always in balance between noise and electroacustic with an unique proto-industrial feel.Cut at 45rpm.Edition of 100
Distant
Newest Nico Vascellari trio (WW stands for Women in the Woods), an amazing hypnotic industrial soundscapes housed in a beautifully packaged tape box, released in a handful of copies
Carregon del Diol
The second series of compilations that presents the best artits that have sprung out of Italy's Northeast scene, rotating around Vittorio Veneto, Codalunga and the Three days of struggle festival, this scene is one of the most interesting and growing scenes of Europe. An intricate of labels, distribution and concert programmers. Featuring exclusive material from Be invisibile now, Bus de la Lum, Der Weze, Excellent Italian, Fantamatres, Kam Hassah, Lettera 22, Magic Towers, Nihil is me, Ottaven,…
Sacred Trails
Terrific new release by the cult 'a dear girl called Wendy' italian label: this recordings are a natural progression from the recent "Förruttnelsen" LP on Release The Bats. Like before filthy and decaying reel-to-reel/cassette/tape-echo loops, electronics, junk, field recordings, feedback blasts is mixed with industrial decay and creepy dynamic noise. Minimalistic textures raped by tapeloops, field recordings and junk abuse. Just raw electronics. Organic machine music. No happiness there. 7"…
Like A Frog In Winter
Features Prurient, Pedestrian Deposit, Sewer Election, Panicsville, Immaculate Grotesque, Ahlzgailzehguh, Barrikad, Omei, Climax Denial, Stegm, Mark Solotroff, FFH, A Fail Association, etc. etc." Includes poster. "i started putting this compilation together in 2004 while residing in providence. at that time the climate of noise was rather hi-fi, technological, and cold. This was the start of noise as entertainment rather than entertaining. personal communication became lost. noise becam…
Vague Maze
Pain Jerk and John Wiese are two titans of noise. Their collaborations are not a new. This is the stunning prologue, the first one, dated 2005. 7 minutes of synthesizers, electronics, noise. This is what a 7inch must be. Fast, violent, harsh. Play it at 45rpm as loud as possible you can. You know you need it. Artwork by John Wiese. Limited edition of 200 hand-numbered copies, one time presssing
Kvalt
Amplified metal, electronics and tapes from Denmark. Alleypisser takes inspirations from italian industrial gods like M.B. and Mauthausen Orchestra and his phenomenal use of tapes and metal ensures that Alleypisser is one of the best industrial act in Europe.. The result for Kvalt is a 7" and a c38 for something like 50 minutes of music. All package in a reel to reel box with insert.
To Noisetherion
Obscure artist from Italy, harsh noise with not so dynamic structures, junk abuse, no space for field recordings or concrete parts. A brutal assault, perfect mix between early Bastard Noise era and 90s Japanese scene.
Predators
European tour 7". Two 5 minute studio tracks of processed underwater recordings. Bayonet and diving knife scrapings in a steel basin, recorded closely and then processed to breaking point. Limited edition of 200 copies.
CD box
Abe at his best! Crudely generalising a contrast in free jazz tendencies between AMM/SME/MIC/FMP and AACM/ESP, it's hard to say if Abe's closer to the gentle, bearded intellectualism of some European improvisation, or to the gutsier funk of more US freedom fighters. Up there with the best of both Western sides of the sea, but unlike any one from either, his stroppy, razor-sharpening alto style mixes tousled emotionalism with dogged puzzling, like an amalgam of Anthony Braxton and a sadder, angri…
Switch Hitter / The Machines Of Infinite Joy
The first new material from the legendary Ramleh since 1998 and it doesn't disappoint. Powerful droning intensity, motorik rhythms and warped guitar riffs dominate these two songs with one containing Ramleh's distinctive distorted vocals weaving in and out of this inventive chemistry. "Switch Hitter" could almost be described as a full on dissonant rock track, but Ramleh's desire for experimentation and improvisation lifts it way above the general rock mindset. Ramleh have not lost any of their …
qanngirpalippuq
Limited to 130 copies. Harsh Noise old school from Paris, 100% improv.
Organic Skyscrapers & Occult Wastelands
'I really don't know what to say... I have just released a 10' by my favorite band! Released to coincide with the first Sigillum S concert in the US, which we hosted in Chicago on June 7th, 'Organic Skyscrapers & Occult Wastelands' features three brand-new tracks. With unusual electronics, processed and treated guitars, piano, etc., and a host of other elements, rhythms and loops, it takes the listener on a bizarre and beautiful journey.The music and imagery of Sigillum S has intrigued and capti…
Texas Blues Working
Featuring the 6 tracks from the original release, along with an additional brand new amazing track. The original edition on tape received some fantastic reviews, so its great to finally have this out on CD, as it really is a superb recording. which came out around one of Christina's most amazingly active recording periods, self releasing fantastic discs like Masque Femine, Two Nights Film and A Blossom Fell as well as Kranky releasing Original Darkness in 2008. Texas Blues Working feature…
The Glass Bead Game
James Blackshaw once made Michael Gira cry. Not by sucker-punching the poor guy. It was something much simpler: Blackshaw reduced the former Swan frontman — a menacing presence even as he eclipses AARP eligibility — to tears through nothing but a finger-picked acoustic and minimal, melancholic chords. It's easy to understand why. As Gira wrote in a press release celebrating Blackshaw's signing to his Young God imprint, the widely-acclaimed 12-string maestro writes "absolutely beautiful and spell…