New Arrivals
Live at I-and-E
This is a long-awaited re-issue, unavailable since 2006. The duo had formed the previous year for ErstQuake in NYC and this was to be their second and, as yet, only other performance together. The breadth and depth of [the] music is totally inspiring, I absolutely love this piece of music. Total unity in sound to make a perfect piece in the moment. It doesn't get better than this! (Gordon W. Smith)
Keith Rowe and Mark Wastell. This last performance balanced the evening well. Louder, more gestura…
Live in LSO St. Luke's, London
Iancu Dumitrescu 'Extreme point of gravity' (2009) for ensemble (Hyperion & Talea Ensemble). 'Le silence d'or (V)' (2009) for ensemble and computer sounds. Ana-Maria Avram 'Telesma (X)' for three percussion groups and computer sounds (G. Aguilar, P. Teodorescu, A. Lipovsky). 'Textures (III) / Penumbra' for two bass clarinets (Rane Moore and Tim Hodgkinson) and ensemble (Hyperion & Talea Ensemble).
Forma II
Composed and recorded in Berlin from 2008 to 2010 the music consists of four electroacoustic pieces based largely on analogue synthesizer material and one long-form swarm-like composition for multiple overdubbed saxophones. Additional sounds range from metal foil floating on ultrasonic sound-beams to mechanical clickers recorded in the abandoned radar domes at Teufelsberg. The raw materials have been extensively processed and re-constructed using analogue tape and digital methods. The fiv…
GAU
In March of 2012, nearing the end of a tour together through the Netherlands and Belgium, Celer, Machinefabriek, and Jan and Romke Kleefstra gathered in a country studio, spending an afternoon improvising to record Gau. Recorded by the old hardcorerocker Jan Switters at the Landscape studios in Gauw, situated in the countryside in the midst of Friesland, the place was surrounded by green fields with idle tractors, few trees, buzzards and only massive farmhouses dotting the horizon. From the almo…
UKMerge/Strict
Hand-stamped 180g white label Inga Copeland furnishes new imprint All Bone with two grubby sound system tools produced by John T. Gast ov Henny Moan fame. It follows her \'Don\'t Look Back, That\'s Not Where You\'re Going\' 12\" with a more rugged, minimal UK dancehall sound iced by those knowing vocals. Top side stars the barely-hinged, pitching snares and dread digi dub of \'UKMERGE\' gilded with drowsy utterances, whilst flipside they tilt the tempo to a bouncing blend of mutant Dubstep and b…
The Mortimer Trap
The Mortimer Trap is an epic, 77-minute "variation" of Morton Feldman's For Bunita Marcus, constructed by German experimentalist and techno icon Thomas Brinkmann and Australian sound artist Oren Ambarchi. Pulsating waves of claustrophobic ambience generated from who-knows-what patiently builds into a throbbing, rhythmic pulse of gorgeous sonic density. Since the '80s, Thomas Brinkmann has experimented with sound, its textures and its construction methods. His custom-built two-arm turntable …
Brombron 27: Nijmegen pulse
Korm Plastics is proud to present the twenty-seventh release in the Brombron series (missing numbers will follow later this year). Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the Brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in …
Effigy
Shipping by the next week: MIE Records are unbelievably honoured to be releasing Effigy by Pelt this October 29, the first album recorded since 2007 by the acoustic-only droners. Recorded live in June 2011 in an old yoga studio in Mount Horeb, Wisconsin and a decommissioned synagogue called the Gates of Heaven in nearby Madison, the band have laid down their most accomplished and fully realised work to date. Epic in every sense of the word, Effigy is a sprawling journey through their singular pl…
Sleeper line
Sleeper line is a five-track EP constructed from the original components of a live set performed in December 2012. These components — manipulated found sounds — were recorded at various times and in various environments: Dungeness Power Station (2012), street recordings post-Notting Hill Carnival (2007), a prior live performance at the White Building in London (2012), and a cassette recording made in the cloakroom of the Metalheadz Sunday Sessions club night (1997). The cyclical process of merg…
Hen ogledd
180gm LP limited to 250 copies. Between them Rhodri Davies and Richard Dawson are busy people. Playing festivals across the UK, Europe and the US; with their last solo albums (Wound Response and The Glass Trunk) both receiving huge critical acclaim, and serially collaborating with prominent figures across music's counter culture. Hailing from Newcastle, Dawson:Davies: Hen ogledd is the new good buddy duo-project between pioneering harp-fiend-legend-dangerman Rhodri Davies and rebel singer-painte…
Enharmonic intervals (For Paschen organ)
Forget what you know about the Seattle-area sound-art project Mamiffer and the Finnish hypno-rock institution Circle. Enharmonic Intervals (for Paschen Organ), the first in a proposed series of joint efforts involving these parties, contains few of the musical hallmarks you might associate with either performer. The comforts of austere piano sketches and solemn nocturnes are largely absent; the wallop of repetitive rhythms and metallic kitsch is nowhere to be found. It’s as if an unseen h…
Prince Of Truth
Beginning with her first Constellation release in 2006, Carla Bozulich’s Evangelista project has steadily been gaining recognition for its complex beauty and fierce, raging appeals. Bozulich has been knocking these and many other ideas into form for two decades (Neon Veins, Ethyl Meatplow, The Geraldine Fibbers, Scarnella). Evangelista is the best and the brightest, filled with adventurous risk taking that sometimes whispers and licks, sometimes pulls the listener so close that it is hard to bre…
Jealous Heart
Mark Templeton presents Jealous Heart, an album which re-imagines the story of his sound in an approach that is both staid and deeply emotional, reorienting what is offered and what is held back through a myriad of smeared stringed instruments, fragmented horn phrases, tape loops, and found-sound-driven explorations. Templeton's music is always difficult to truly classify, which is part of its charm. It is way too dense and detailed to qualify as ambient in a traditional sense -- instead …
Combines
The GGRIL is an ensemble of musicians who have decided to give a space to experiment with various forms of interactions possible in an orchestra without a conductor. The group brings together a dozen musicians from different backgrounds, but all eager to explore new territories offered by bands where the music is alive, freed from the linearity of writing. Powered by Tour de Bras, Rimouski, this set is a way to involve a large number of musicians and composers in the region around a unifying pro…
Compositions For Geomungo and Gayageum
Sub Rosa reissues Belgian composer/violinist Baudouin de Jaer's Gayageum Sanjo (SR 347CD), with a complete new design and an additional CD of new compositions for another ancient Korean instrument: the geomungo ("black zither"). "Baudouin de Jaer chose a highly delicate musical instrument, the geomungo, and has drawn from it a marvelous creation; I can only congratulate him with all my heart for such an accomplishment, and for the release of this beautiful CD. I hope he will continue to make gre…
Trees Have Cancer Too
Duo of Pedro Sousa and Pedro Lopes, two portuguese young musicians, and some of the most exciting in the plastic, tonal and energic exploration of sound in a long time. Using sax (Sousa), turntables (Lopes) and a communal use of electronics, their music is admittedly nervous, obsessively bent over the following moment. Unlike other past forms of improvisation more concerned with listening and a certain purity of sound, this search is as focused as much as frantic in the pursuit of a new d…
Six & Six
Originally released in 1981, JANDEK'S second album stands as an incredible document of the formative stages of his cracked genius. The musical elements are almost catatonic: 9 songs drift by as a series of slight variations on several desolate, untuned acoustic guitar phrases. First time on vinyl in over 25 years. Old-style tip on jacket. LIMITED!
Music For Fireworks
In 1978, Philippe Genion bought a guitar for 1000 belgian francs (25€). He connected it to his hifi amp, quickly learned how to play "smoke on the water" and a few punk songs with two fingers and within two weeks, pushing the amp more and more to the limit, blew his 200W speakers out. Later, around 1980, he bought an old ARP synthesizer from walloon band "Jo Lemaire plus Flouze" and started playing with these instruments and a few old flanger and distorsion pedals, and started recording so…
The Celebrate Music Synthesizer Group
The Celebrate Music Synthesizer Group is a spice-hunting collective formed in Rotterdam in the summer of 2012, when multi-media cultural center The Worm graciously opened their world-class synthesizer studio to the current incarnation of Sun Araw Band. Cameron Stallones (Sun Araw, Magic Lantern), M. Geddes Gengras , Tony Lowe (CEO Raw Tings), and Butchy Fuego (San Gabriel, Boredoms) spent a week amidst Syrinx, Serge, and Surinamese victuals, tracking the self-titled double album live to two-trac…
Temple
'Temple' is the final installment in Jan Jelinek's series of four vinyl compilations that bring together the wide variety of his music: commissioned works, live recordings, collaborations with other musicians as well as unreleased material from the last five years. Temple stems from a collaboration with French-Canadian choreographer Sylvain Émard. Temple is a re-worked excerpt of the music for the dance piece Fragments – Volume I and is a 10 minute drone work that builds from nothing more than a…