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With their recent split with Naked on the Vague acting as a dip into pop's waters; Wet Hair's follow up, In Vogue Spirit is practically a jump into the pool. The band's most accessible batch of tunes to date boil with Krautrock rhythms, buzzing synths, and a new focus on vocals that has previously been mostly absent in the band's back catalog. It's not all motion and melody here though, the band still retains their experimental spirit, giving the record plenty of teeth to sink into any of …
"Vagabond American legend Carlos Gonzalez drops his first NNF full-length, and it's 10 of his greatest junkyard surf-slime tunes of all time. Edition of 500."
Mark McGuire operates chiefly as guitarist in the legendary Emeralds, however he also has racked up an impressive set of solo releases over the last few years (albeit mainly in small to micro print runs). 'Living With Yourself' is his new album and we at Editions Mego hope to meet any demand which may arise from this fine selection of modern crafted guitar tunes. Focusing on his family, early friendships and the problems that inevitably develop through years of knowing someone, it takes …
On June 17, 2008, the exhibition Sonic Youth etc.: Sensational Fix openedat LiFE in Saint-Nazaire, France, with a focus on their multi-disciplinary activitiessince 1981 collaborations with visual artists, filmmakers, designers,and musicians, as well as other works selected by the band.As part of the exhibition project, My Cat Is An Alien performed on stagewith their long-time collaborator Ramona Ponzini (Painting Petals OnPlanet Ghost, Black Magic Disco, Z ev) singing Japanese, Michael Mo…
Limited Restock* Andy Votel and Demdike Stare inaugurate their joint project under the Slant Azymuth aegis for Pre-Cert's 4th release of acousmatic sound poetry and hyperstitious ephemera. For our P's it's the best Pre-Cert yet and easily one of the darkest projects we've heard Votel involved with. While each track bears traceable hallmarks of their individual tastes, Slant Azymuth is perhaps best regarded as a shared vision, triangulated from three shadowy perspectives. They offer no exp…
The silhouetted, impressionistic black metal ambience of William Fowler Collins has cast a long shadow over all who've crossed his path. Returning to Type Records for his 2nd LP, two years since 'Perdition Hill Radio' and not long since recording with Gog and Isis' Aaron Turner, William still exists in a permanent nighttime state, as though the sun has completely abandoned the New Mexico desert and left him, and his music, to slowly decay in the darkness, suffering the attrition of sandst…
Limited edition of 250, with full color 23 by 33 poster designed and painted by G.Loli. Mutamassik (= tenacity in Arabic) is the musical avatar of Giulia Loli, who merges Egyptian percussions with hardcore breaks. The result, sometimes dubbed Sa'aidi hardcore & Baladi breakbeats is a mutant, syncopated form of instrumental hip-hop. The history of Giulia Loli herself is marked by fluid borders, being born in Italy of an Egyptian mother, moving to the United States in her childhood, staying in Egy…
“Brand” is the new trio of Gary Smith (guitar), Silvia Kastel (voice and synth), Ninni Morgia (guitar). On this recording Gary Smith produces the playing for which he’s considered a master of avant guitar: multiple layering, complex grainy textures, dense counterpoint, influences of birdsong. Fused with the guitar of Ninni Morgia, which floats between minimal movements of primordial electronics, pre-war slide blues and Hendrix-esque feedback. Over, and blending with them, Silvia Kastel’s mo…
The Lost Jockey was a large aggregate of British new music performers who came together on this LP to play compositions by three of its members: Andrew Poppy, John Barker and Orlando Gough. Poppy is the best known of the three-he worked with Psychic TV on their first two albums and made two rather dated EPs for ZTT in the mid-80s-and his pieces here are better than the later works but still forgettable. It’s Gough’s side-long “Hoovering the Beach I & II” that’s worth the price of admission-with …
RESTOCKED!! Brand new full length from Cleveland's Emeralds recorded Aug-Sept 2008. Proper follow up to their debut LP 'Solar Bridge', 'EMERALDS' takes the thick drone sound of that LP and transforms it into an even more abstract and strange place. Visual music that lifts the listener up and transports them through tubes of sound occasionally to be swept into the opposite direction by an unexpected entrance into another world entirely. An intense journey that drops you off in a place just be…
A bludgeoning mix of machine and vaudou / Central African percussion plus other acoustic instruments combine to create one of the most physically intense musical experiences ever. Songs featured in VBS's films 'Vice Guide To Liberia' and 'Mandingo'. Since 2007's Whitehouse album Racket, and after his original 'Afro Noise' mix became one of the most downloaded experimental mixes ever made, William Bennett's remarkable Cut Hands album has seen 4 long years of meticulously obsessive studio w…
released 10 march, 2007. performed and recorded by michael gibbons (bardo pond) over the course of 2006 in the lemur house, apocatastisis is a meditation on restoration and awakening. an inner voyage in seven parts consisting of guitars, effects, sitar, tabla and violin. a truly special record. from a one-time pressing of 677 hand-numbered copies. housed within sleeves that were individually silk-screened by alan sherry (SIWA). all pre-orders of this release also received copies of this 500mg bo…
beautifully packaged, transparent vinyl, 200 numbered copies, silkscreened cover. “One as Two (Compositions for resonances of reed organ and chambers)” is the second collaborative work of Minoru Sato (-m/s, SASW) and Asuna, after their first studio cd (“Texture in glass tubes and reed organ” released on Spekk, Japan). Asuna plays reed organ, Minoru Sato : NRF amplification by two glass tubes and 2 glass vases. NRF is the Natural Resonant Frequency of a defined space. In this case the expression …
“Almost Washed My Hair” erupts from the stereo like some bastard child from a universe where Iggy Pop fronted The Velvet Underground and the only song in their repertoire was “Sister Ray” but they could never remember how to play it. This ear-splitting and cacophonous rock sounds as raw and powerful as anything else in my record collection. The deafening guitars dominate everything; only ghosts of vocals and a hammering beat are perceptible under the overloaded amplifiers. However…
Part two. This double album (divided into two LPs), recorded live at the Nippon Columbia Studio in Tokyo in 1974, was the group's final effort before disbanding. Here Kosugi and the Travellers blend Eastern and Western instrumentation, vocal chants and electronics to create free-form psych-laden drones. This historic album is an essential and influential piece of Japanese avant rock." Part One LP, clear vinyl in clear plastic sleeve with black lettering. Limited…
We haven’t made any secret of our love for Estonian Producer Maria Minerva, and this latest offering for 100% Silk might just be her finest yet. She’s had to bat off plenty of comparisons with Nite Jewel, Glass Candy and others from the nu-disco set, and this collection of six tracks should be where those comparisons end. Here Minerva explores a wider range of dancefloor styles, beginning with woozy late night Chicago gloom on ‘A Love So Strong’ with its detuned vocal hook and punchy bas…
ultralimited lavishly packaged LP (100 handnumbered copies only!), this ground-breaking electro-acoustic trio made my day. The album is largely improvised, with extracts of Charles Bukowski’s poetic works overlapping on the interweavings and multiple stratiï¬Âed references in the trio’s music. It features a faceted palette of acoustic, analogue and digital colours: drums, metallic objects, ethnical instruments, samples, sequences, filtered voice, pedal effects, vinyls, digital electronic…
restocked, but very few available...LP art edition of 310 numbered copies, recorded on 1973, NEVER previously issued on vinyl, this is a jewel from saturn: try to find it in the cosmo if you can. This albums originally intended for release by Impulse! in the early 1970s, Cymbals is very a much a continuation of efforts like The Night of the Purple Moon, with an overall extended sax workouts, and built out with plenty of welcoming grooves. An highlight from a fertile period when Sun Ra and his…
Forever Falling Toward the Sky is the first ever release by Bay Area based Vestals, AKA Lisa McGee. A taught set of haunting electric ballads, these five tracks weave together a number of layered guitars and vocals into a smokey tapestry of blown electricity. Rather than the ephemeral drones McGee has been involved with recently, most notably the group-mind ensemble Portraits & the duo Higuma, Vestals retains the clarity of song, with these hypnotic gyms having been slowly carved out over…
"one of the earliest cdr's on ultra eczema was a Bob & Lou cdr, which were also recordings from the 90's, and which, together with discovering the insane recorded archive of cassis cornuta, sparkled the idea of collecting and publishing the lost recordings of these belgian weirdo's! Bob & Lou is the pseudonym for the duo field recording / electro-acoustic synth project that Peter De Ceulaer and Luther Vanhoof started in the late 80's. They never played live as Bob & Lou although both of them als…