We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Formed in 1981, Central Unit were among the first in Italy to manipulate synths, drum machines and other electronic devices (as far as we know they were one of the few bands in the world able to program a Korg-KR55 drum machine) to create atmospheric soundscapes combined with mechanical basslines and relentless bass guitar meanderings, with slothy saxophone murmurs peeping out here and there
The second in our series of exploration of the panAmerican funk experience, Cult Cargo: Grand Bahama Goombay is a deep overview of Funky Nassau’s redheaded sister city, Freeport, GBI. From 1969-1976 Frank Penn’s GBI studio and label cranked out a dozen LPs and twice as many singles infected with the Miami sounds drifting in over the 100 mile strait. The catalog is a fruity blend of rake and scrape, bush, junkanoo, calypso, reggae, and of course, goombay, wi…
Brand new split LP from fellow Manchester weirdos A Middle Sex and Gnod. Gnod follow on from some killer releases over the last couple of years, a split 7" with Bong, a tape on Not Not Fun, and most recently a collaborative LP with White Hills. The oddly titled 15 minute 'Why Don't You Smile Like The Other Children?' opens with hazy strings and cosmicly far out voices, this slow groove packs a multi-coloured burst of rhythmic psychedelic vibes. On the flip side, A Middle Sex take up duties of do…
The day has come! We’re kicking off 2012 with a deluxe reissue of Michael Chapman’s debut Rainmaker. Originally released on Harvest Records in 1969, Rainmaker is a psychedelic-guitar-folk delight. Featuring some of Chapman’s best loved songs, “It Didn’t Work Out,” which features a stellar cast of legendary English musicians of the era; Guitarist “Clem” Clempson was in the prog-band Bakerloo (soon after playing with Chapman he’d join jazz-rockers Colosseum and then Humble Pie) Drummer Aynsley Dun…
'insect is a work by Dave Phillips that consists of untreated field recordings made in Thailand in 2001. It was first presented live on the 6th of December 2002 at Egocity in Zürich. the accompanying text evokes questions of what might happen to humanity if insects were to perish. Insect was originally issued as a cdr in an edition of 50 copies in 2003, and later rereleased by dp on demand. By the time i heard this work, almost 3 years after its release, i was astounded by its sound. A wo…
To say Devendra Banhart is unique is an absurd understatement. When I first heard the voice of this completely unknown, precociously talented 21-year-old songwriter, I could not believe it. His occasionally warbling falsetto is alternately bizarre, comical, and often a little frightening. Coupled with his advanced finger-picking guitar style - which itself often veers schizophrenically from gentle grooves into jolting, non-rhythmic stabs and weird harmonic flights of chaos -- and the wildly surr…
The silhouetted, impressionistic black metal ambience of William Fowler Collins has cast a long shadow over all who've crossed his path. Returning to Type Records for his 2nd LP, two years since 'Perdition Hill Radio' and not long since recording with Gog and Isis' Aaron Turner, William still exists in a permanent nighttime state, as though the sun has completely abandoned the New Mexico desert and left him, and his music, to slowly decay in the darkness, suffering the attrition of sandst…
This year marks a milestone for the Chicago Underground Duo. It is their 15th year together as a band. In celebration of this momentous occasion they have released a new record on a brand new label.Age of Energy is Chad Taylor and Rob Mazurek’s sixth release as Chicago Underground Duo and the twelfth release in the Chicago Underground catalog. Finding time to get back in the studio was a challenge, as Rob has been touring with his trio Starlicker, The Sao Paulo Underground and the Exploding Sta…
More than a mere odds-n-ends collection, Kurt Vile’s latest LP is a compilation of tracks from Overnite KV, a tour-only CDR, along with a handful of extra tracks recorded specifically for this release. Here we find Kurt solo, four-trackin’ as usual, and blowing minds with his mix of bluegrass guitar, blazed singer-songwriterisms, and the knowledge of how to balance these contexts out with laidback precision. Psychedelic to its core, these twelve tracks speak to the will of the casual perf…
This is a great live performance of the best Lithuanian contemporary jazz musicians played live at the small punk club in Vilnius. That was a hot night. Liudas Mockunas - tenor, baritone and soprano saxophonesEugenijus Kanevicius - bass and electronicsDalius Naujokaitis – drums
Gorgeous collection of rare and early italian wave releases from 1982 - 1987 selected by Danza and with intro text by Fred Ventura in a limited run of 500 vinyl albums (hand numbered) it includes 2 inserts, LP cover on hand-made serigraphy. Highly recommended.
This is Mama Br solo with voice, tape, guitar, feedback. Limited to 300 copies. White vinyl. Cover from the artist."Frau Hjuler has few equals when it comes to shrieking like someone's tickling her with a hot poker. Here you start out with sound effects, in the form of cat meows & nippy dog barks, and move through some swooping feedback before the yowls and huffing noises begin in earnest" Weirdo records
Luc Van Acker is all except an obscure musician. Already from his solo records in the early 80's he has been building a name for himself as a multi talented musician and performer. While his early works are rather experimental he later joined forces with other musicians (who have become famous with bands like Front 242 and Ministry) to create a more rock orientated industrial / electronic act called Revolting Cocks. The session on this record is from 1981 and thus a very early piece of music in …
Edition of 380 copies** Powell marks up the 2nd release on The Death Of Rave, following Mark Leckey's debut entry, 'Fiorucci Made Me Hardcore'. Powell's 3rd release refines his ascetic blend of lawless New York no wave, cold European electronics and late '90s D&B with incisive vision and propulsive torque. The EP's standout 'A Band' emphasises a chimeric indistinction between the "real" textures of sample-spliced guitars and drums and the gritted tension of painstakingly processed electr…
"the coming together of this quartet on "paper of pins" has resulted in mature, yet unforced sounding compositions. the touching number "brown reduse" wins you over with its catchy piano sounds and subtle trumpet which is rounded off by the electronica. it's a small orchestral gem in the jazz style which is still edgy despite its perfection. this is highlighted, for example, by the fact that you can hear the brass player drawing breath on some tracks. certainly, the scottish composer is no perfe…
Suum Cuique (pronouned Soom Kwi-Kwe, Latin for "To Each His Own") follows the remit of Young Americans to explore uncharted, experimental, and personal synthscapes, guided by the hand of intuition with an entirely analogue array of machines. In 'Lithic Reduction' concrète textures grind like a millstone to release powdery clouds of analog dust, settling only to be dispersed by gusts of blackened distortion, whereas 'Red Binary' is distinctly electronic, revolving around muted radar bleeps…
This ultra limited, and long out of print cd-r from 2007, finally available again, now as a super swank (and still quite limited) lp...Another gorgeous sonic transmission from right here in the Bay Area, from AQ fave Jefre Cantu-Ledesma, the man behind Tarentel, and the Root Strata label. Those familiar with Cantu-Ledesma's music know that he usually speakers in hushed whispers, breathy and breathless, soft sonic shimmers allowed to drift like billowy clouds into your ears. But here, C-L …
Amazing! Transcribed by the Material Eye Institute, Russian Academy of Sciences, Universitetskaya nab. 1, St. Petersburg, 199034, Russia. 6 baseless marble pillars not yet completed, covered in white strata against the backdrop of a simple three-dimensional plane with soft edges. 1. Synesthesia outside venue. 2. If you lived here, you'd be home right now. 3. Lopatin designs preset Prismata ascribed to Trujillo, 2003 and goes downstairs for air. 4. He comes from a long line of shovelers. 5. Life …
Red Planet establishes Arborea's complex synthesis of acoustic folk and minimalist drone right out of the gate. From the opening motif of the acoustic guitar lament "The Fossil Sea", Red Planet conjures a panoramic aura, like a lost outtake from Ry Cooder's Paris, Texas soundtrack. As that echoes its way into "Black is the Colour", an eerie and utterly transcendent take on the traditional tune, it becomes mesmerizingly clear how the soft confluence of texture, sound and style meld to create the …
Marbled dark-red vinyl, limited to 150 handnumbered copies. Handmade gatefold cover with latexpainting + 2 photos. Listing this record as "Nurse With Wound" in the title is not totally wrong as this is a great live performance (1982) of Steven Stapleton's wife Diana Rogerson aka Chrystal Belle Scrodd, she also released 2 wonderful records on United Dairies in the early/middle of the '80 (Belle De Jour & The Inevitable Chrystal Belle Scrodd Record). This is a really fantastic release by this Aust…