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Pierre-Yves Macé is a young French composer, he was born in 1980, but has already released four albums on respected labels including Tzadik and Sub Rosa. Miniatures - Song Recycle is his second album for the Parisian imprint Brocoli, following the acclaimed Passagenweg. Miniatures - Song Recycle, as the title suggests, alternates musique concrète studies and songs in the form of lieder, where the voice is made of recycled, chopped and transformed a cappella vocals from YouTube, accompanied…
'Classical. Electro acoustic and widdly weird noises from the big brain. Over the last few years intrepid music lovers have been investigating and enjoying the work of pioneering electronic musicians, electro-acoustic artists and all the groovy folks who spent hours manipulating and cutting tape to make new and exciting sounds. It's meant that lots of interesting figures have been brought back into our musical view. But one of the most important, innovative, influential and almost forgotten arti…
'Two musicians from very different backgrounds finding common ground. The first half consists of studio duets on guitar and viola recorded in New York City without any electronics, but they are not what one would expect from these two instruments. The second half is very different - recorded in concert in Geneva with a liberal amount of electronics.'
Volume I in a series of UK-European-US and Japanese artists' tributes to the pioneering UK Noise group The New Blockaders including exclusive tracks by: Nocturnal Emissions, Dieter Muh, Smell & Quim, Putrefier, srmeixner, Jazzfinger, Evil Moisture, Ashtray Navigations, Mutant Ape, Cheapmachines, Anomali, Halalchemists (incl. members of Skullflower, Culver and Snotnosed). Artwork by Richard Rupenus (TNB). The New Blockaders are a group who, more than any other, define the essence of true…
This is a collection of previously-unreleased studio and live material. Originally released in 2002 and deleted for years -- this collection is now made available again in 2012 due to demand. The studio material is as beautiful and sad as "Dirty Old Town," made famous by The Pogues, which is released on CD for the first time here. The oldest song, "Willie Boy," was recorded during the 1991 session for Documentary but didn't make it onto the record. "German Mustard," "Where I Lead Me," "Heav…
"Resume the Cosmos" finds the unclassifiable Virginian band Rake performing some of their most diverting and accessible work to date. The five nameless tracks that make up the disc were culled from many hours of studio improvisation, not only on a range of atmospheric instrumentation, but also with studio space and "silence" itself. The elusive membership of Rake play out like reconstructed indie rock fans with fistfuls of Sun Ra/Coltrane/70s Miles/Art Ensemble of Chicago/Henry Cow scattered thr…
Otomo Yoshihide (turntable), Ozeki Mikito (kirie), Mats Gustafsson (baritone saxophone from Mats Gustafsson's solo LP 'It Is All About' on Tyyfus label). Mastered by Jun Numata. Released to commemorate the exhibition Ensembles '09: With Records at Gallery 45-8, Tokyo, October 11-November 8, 2009. No cover, limited 800 copies, serial numbers. Otomo Yoshihide (turntables), Ozeki Mikito (cutout art) and Mats Gustafsson (baritone sax).
An album of unreleased music made by Jeff Keen, one of the UK's great avant garde artists. This is music found on cassettes in his studio after his death. It was made by Jeff (throughout the 1980s) using field recordings from his local amusement arcade: radio, TV, films, an Atari, a ZX Spectrum, a delay unit and a WASP synth. This is the first Jeff Keen album ever issued. Jeff Keen is one of the great undiscovered artists of our times. A missing link between the Dadaists, Cocteau, Warhol, …
Marc and Olivier Namblard did some recordings of deer during the rutting season. Deer bellow and listen. Marc and Olivier work also with the idea of sound trap. They find a place where animals go through, they set up the recording equipment and come back the day after. Beautifull and amazing recordings. Comes with photos from David Hackel et Marc Namblard. Texts in French and English.
For fans of acoustic guitar music, James Blackshaw's The Cloud of Unknowing is a gift that's long overdue. Blackshaw's fourth album gracefully glides over the same sonic ground that his contemporaries generally tread with reverential obedience or dilettante tactics. Growing into his prodigious own at the relatively young age of 25, Blackshaw has finessed his 12-string acoustic guitar into a veritable solo symphony that's as schooled in uncommon beauty as it is in complex 20th century composition…
Eri Yamamoto released two recording in 2008, each of which—in different ways—demanded attention. In a series of duos with friends such as William Parker and Hamid Drake (Duologue), Yamamoto was expansive and free, readily finding ways to play beyond conventional harmony without sacrificing “beautiful” pianism. With her trio (Redwoods), she was more in the pocket, mining vamps and grooves for what they could say about the blues, but always keeping things intelligently sweet. If you’d barely heard…
Hailed as a hero of underground film in the 1960's, director Masao Adachi presents the shocking new film 'Yuheisha (Terrorist)' after a hiatus of 35 years. The soundtrack was composed by Yoshihide otomo, who is known worldwide for transcending the boundaries of jazz, improv, and noise. As a producer and film composer, he has gained critical acclaim for the soundtracks of 'Heart, beating in the dark', 'Canaria', and 'Boku Wa Imoto Ni Koi Wo Suru'. Also appearing in the film and playing acoustic g…
*Limited edition of 350 copies in a vacuum packed metallic foil packaged with embossed lettering* Giuseppe Ielasi - sound artist, mastering engineer, label owner, half of Bellows - presents his most substantial solo release since 2009s 'Aix' for 12k with this untitled collection for London's Entr'acte. The eight unmarked tracks were produced in Spring/Summer 2011 and, much like his other work, would appear to be concerned with the minutiae and textured infidelities of the recording proces…
Rogelio Sosa was born in Mexico City in 1977. His work explores a wide range of aspects that deal with sound morphology, structures of auditory reference, intensification of the acoustic space and performativity. His projects include solo and collective improvisations, music compositions, sound actions and sound installations. All of these are produced using electronic media. He started studying musical composition with Julio Estrada and then electroacoustic music at the Ateliers UPIC and IRCAM …
Kampanerura is the name of a boy appearing in the children's story Night on the Galactic Railroad by Kenji Miyazawa (1896-1933), Japanese poet and author of children's literature. A boy with pure soul transmigrates and becomes a dissipated man around a trip to the bottom in Asia. From accompanying text by Masayoshi Urabe 'What are my legs on? What are my feet standing on? Sand? I feel something sharp and pointed! And a gentle breeze where am I? The sea? I feel it flowing! I've crossed ove…
Six untitled pieces compiled from improvisations recorded 2–3 July 2011 at Utterpsalm studio. The sound sample is an unused excerpt from the second recording session which took place on 14–15 September 2011 at Mark Durgan’s studio in Bristol. Edited by Mark Durgan.
Peripheral Records is proud to announce it's thirteenth release with, 'Maurizio Bianchi's - Aeternum Aevum' CD. Two long beautifully understated tracks, that show a more pastoral side to the great Italian master of Industrial. Slow whirling pieces of Ambience dedicated to the late Konrad Schnitzler. The CD is limited to 250 copies within a DigiPak. The sleeve is adnorned inside and out with Abstract paintings by Hayat Saidi.
Masami Akita alias Merzbow, the king of noise music, the defender of the vegan cause, the animals lover is coming back with a cosmic and devastating magma, a spinning metal tapestry-work with loops of echoes in a whale rutting way. As usual, to be listened to very loudly. Mix realized at Munemihouse in Tokyo during the month of April in 2011.
Nigeria Afrobeat Special is the fourth addition to the Nigeria Special series, a project initiated by Miles Cleret, owner of the Soundway Record label back in 2004. Cleret’s ambition to distinguish the blossoming music scenes of 1970s Nigeria has lent to an indispensable series of CD and LP compilations documenting the influence of western blues, rock and disco amongst artists and musicians versed in the local musical styles of highlife and juju. It was Fela Kuti and his musical and politi…