New Arrivals
featuring Ginsberg, Hentz, Irmler
Bob Rutman has invented what may well be the largest stringed instrument ever made. with a bow made of fishing line, he bows the suspension of a gigantic steel sail and in this way creates drones whose volume is not unlike the noise of a plane taking off. we might be reminded of russolo and 'the art of noise' by the futurists, or of machine music or industrial. and we're right and wrong there. of course, simply the look of rutman's steel cello gives a martial impression. so, it's not surp…
Transmissions From Sinai
There's clearly a great deal of care and thought gone into the sequencing of this ace new mixtape on Arthur Magazine's record label, and that's down to the estimable taste and selection skills of Al Cisneros (known for his work in the bands Om , Sleep and Shrinebuilder). Opening with the introductory cosmic ambience of Lichens' 'Kopernik Trip Note', the playlist takes a left turn towards Linval Thompson's classic 'Wicked Babylon' before stopping by the sublime 'Everyone In Turn' by Grouper (the …
Trax to Trax
Here comes Gianluca Becuzzi’s fourth release on Silentes. This electronic / electro-acoustic composer and sound-artist boast an enviable curriculum: active since the first half of the ‘80s as founder of the historic Darkwave / Industrial project Limbo, since 1999 his artistic production is characterized by a strong experimental imprint and by a clear tendency toward abstract aesthetic forms and micro/macro noises/sounds. Among his recent artistic production - in addition to what he has pu…
Wege
Wege translates as 'path' and it's a fitting title for the latest rendering from master percussionist and experimental composer Andrea Belfi. The albums' four pieces act as orientation points through some imaginary sonic landscape. Wege is Belfi's forth LP (the first with Room40), and stems entirely from compositions completed at two artist-in-residence projects in Austria (Hotel Pupik) and in Brussels (Q-O2 Werkplatz). The album is built around a cyclic electro-acoustic system, through which Be…
See
Tim Hodgkinson's first major project after Henry Cow with Bill Gilonis, Mick Hobbs & Rick Wilson. See was the third and last record the band released before it broke up, and was continuing to evolve, becoming more subtle, complex and rounded than the earlier albums, though still packing a mighty punch. There's nothing polite about this record and no other group ever attempted to occupy this territory. See is extremely appropriately recorded and is constantly in your face with powerful rhythmic t…
Caves
Riccardo Dillon Wanke’s Caves was composed and recorded in 2006 in Alfama (historical district of Lisbon, Portugal) using acoustic and electric guitars, saxophones and natural sound elements starting from pure radical improvisation evolving into the investigation of drones and static and looped music related to minimalism. At the center of these works are the binaural beats in musical composition, the results lying between classical composition, minimalistic improvisation and a "folk" sensitivit…
Pantagruele
beautiful psych/weird-folk album, most of the tracks are guitar driven bucholic neo-freaksters keep reading!. While playing this psychedelic-melodies many names came to mind, basically: Red Krayola, John Fahey, Syd Barret, Devendra Banhart and obviously his mentor, mr. Marc Bolan
Love Comes Close
Love Comes Close is the debut full-length from Cold Cave. Synth-pop, post punk, new wave, atmospheric industrial... Edition of 1000 copies.
Five American Portraits
“Ridges and creases / high on the middle forehead / The right temple near the eyebrow / A small ridge under the right eye / The right side of the tip of the nose / The opening of the right nostril / The middle lower lip / The inner ear of the right ear.” Can you tell who it is yet? It’s George W. Bush, of course, or at least part of his head, as seen (or rather heard) in the second of five “American portraits” in words and music by legendary experimental rock outfit the Red Krayola, in collabora…
Sonic brotherhood - DTFP Israel 2009
Improvised music with exception of Irinia-Kalina' solo. Mark Dresser (bass), Irina-Kalina Goudeva (bass), JC Jones (bass), Barre Phillips (bass) and Bert Turetzky (bass). Recorded by Ori Winokur, edited, mixed and mastered by JC at the Kadima Studio, Jerusalem, October to December 2010.
The Collected Poem For Blind Lemon Jefferson
"Ikef continues to mine the extraordinary musical territory of St. Louis's fervent '60s musical innovators with the reissue of the impossibly rare Collected Poem For Blind Lemon Jefferson. Originally released on the late, brilliant saxophonist Julius Hemphill's artist run Mbari label in 1971, Blind Lemon is a highly energetic, raw and primitive avant-garde take on the Blues Mythos. Hemphill, named 'one of free jazz's most visionary composers' (Chris Kelsey, All Music Guide) is in full form as he…
The Pattern Prism
Kraut-rock at heart, this is a brtual, cosmic melange of sound & rhythm, where Terry Riley-like keyboard motifs entwine w/ intense Battles-esque drumming, clouds of audio detritus, gamelan gongs, rewired synthesizers, & clashing feedback guitars. Oscilating between pools of crystal-clear ambience & miasmic clouds of dense noise, it spans entire decades of musical exploration: the fractured psych dreams of The United States of America, the dense weave of Stockhausen's Hymnen, the intensity of Con…
SFU 40: Celebrating Electroacoustic Music 1965-2005
Amazing anthology focused on The Electronic Music Studio at Simon Fraser University (SFU) was founded by R Murray Schafer when the university opened in 1965, the third such studio in Canada, after the University of Toronto and McGill University (Montréal). It was located in the basement of the SFU Theatre as part of the Centre for Communication and the Arts. Composers such as Schafer, Anthony Gnazzo, Peter Huse, …
City of Straw
On their seventh studio album, Sightings don’t make any radical breaks from their past. Instead, Richard Hoffman, Jonathan Lockie and Mark Morgan continue the slow evolution of their vision, a sort of "industrialization" of rock. On 2007’s Through the Panama, the trio achieved their best amalgamation yet. City of Straw doesn’t really up the ante, but it stays right there. These 39 minutes run the gamut from chittering electronics to punk chaos. When saying "industrial" in reference to …
Remixed No. 1
Moondog's outsiderness ensures an approach to modern composition that doesn't ever establish any single, fixed identity, which is of course what makes this man such an alluring figure in 20th century music. Mr Scruff remix is a post-futuristic-jazz influenced by hip-hop cadences that makes appear how important Moondog has been in the past and how he will be for contemporaries and future generations.
History Of The Units - The Early Years: 1977-1983
first ever legit reissue of THE UNITS. This genre-defying band, from San Francisco's barely-documented synth/punk/art underground of the late ‘70s and early ‘80s, combined sarcastic humor with deadly serious cultural critique, and synthetic experimentation with the bombast of punk. Includes the most sought-after early singles and selections from their first LP, Digital Stimulation, along with unreleased demos, and more. Remastered audio. Packaged in gatefold LP style sleeves with 32-page booklet…
Sum things
the new album by the über-prolific and often esoteric Z'ev sees this musician leaves the drums aside and focus on long, slightly noisy and constantly rumbling low-frequency drones. Dark and brooding, but clearly grittier and dirtier as, let's say, Lustmord, "Sum Things" is a decidedly atmospheric album in the truest sense of the word, but will also appeal to anybody interested in dense, carefully laid and deep drone works."Through an element darkly… In the fall of 2005 Z’EV began dipping deep in…
s\\t
"This project started with a commission from [performance group] eighth blackbird and Ben Broening to create a multi-channel composition for the University of Richmond's Third Practice Electroacoustic Music Festival. I wrote out a set of instructions for each musician and recorded them separately from the rest of the group. The first sessions were with Molly Michael, Nick and Lisa. I started to work with their sounds, layering processing, adding and eliminating elements until I found something t…
Monsters & Miasmas
Brian Cook (TERMINALS) & wife Maryrose make up this long-running project who's releases on Ajax/3 Beads of Sweat & Siltbreeze have continued to tread a line between haunting country-esque ballads & the brand of noise-rock for which the Terminals is known.
Perpetuum Mobile
“Perpetuum Mobile” is the result of a uniquely schizophrenic “open source” compositional process: the UK's finest collage composers (collage-posers?) Ergo Phizmiz and People Like Us (aka Vicki Bennett) uploaded files to a shared server, downloaded and processed each other's work, and flung the resulting fragments back at each other. The result is an interpenetrating audio-collage so intricate that neither party can recall who did what to whom. So far, so avant-garde; but what makes this record d…